The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
[Illustration: An Illustration from the Pomerium Spirituale.
Original is 4-7/8 by 5 inches.
[From Holtrop.]]
The rightful place of this work is among the manuscripts that are
partly written and partly printed, for its pictures were engraved and
its text was written. The book contains [p245] twenty-six leaves of
small folio, made up in one section. At the beginning of each of its
twelve written chapters is the impression of an engraving on wood. The
date 1440 is found in two of the engravings. The only known copy of
this book is held by the Royal Library of Brussels. It is a curious
circumstance that this copy, possibly in its original binding, which
contains a printed date earlier than that of any other block-book,
should also contain two printed leaves of the _Bible of the Poor_.
Holtrop says that the book was composed by Henry Bogaert, canon of a
monastery near Brussels, who was born in 1382 and died in 1469. He was
the author of many small religious books, of which the _Exercise on
the Lord’s Prayer_ is one. The illustrations of this book and of the
_Pomerium Spirituale_ were probably made at the same time and by the
same engraver.
THE TEMPTATIONS OF THE DEVIL.
[Illustration: A Fragment of the Temptations of the Devil.
Original is 10 inches wide.
[From Koning.]]
This is not a book, but a print on a single sheet eleven inches
wide and sixteen inches high. It differs from the image prints in
the pettiness of its cuts and the abundance of its text, for which
reason it may properly be described among the block-books with text.
The nature of the work is clearly set forth in the preface, _The
Temptations of the Devil, as he tempteth men to the Seven Mortal Sins_.
The Devil, who, with a claw-hook in his hand, stands in the corner to
the left, has beneath him the list of these seven sins. The tempted
man is [p246] the monk near the centre of the print, who supplicates
the aid of the angel, who hastens to his rescue. Below the angel are
appropriate quotations from the Scriptures, which show that this print
is but a medieval paraphrase of the story of Christ tempted by the
Devil, as related by St. Matthew. It was engraved and printed in the
form of a placard, that it might be fastened against a wall for the
contemplation of the devout. The illustration shows only a portion
of the upper part of this curious print, of which the British Museum
has the only known copy. It is supposed to have been printed in the
Netherlands.
THE LIFE OF ST. MEINRAT.
[Illustration: A Page from the Life of St. Meinrat.
Original is 3-1/8 by 5-7/8 inches.
[From Dibdin.]]
Public-domain text, read in full here on John Shaqi.
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