The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
This book, which has an introduction of two pages in German, and
forty-eight pages of illustrations, with brief descriptions below the
pictures, tells the story of two bad men who murdered St. Meinrat, and
who were immediately thereafter pursued by two crows. The illustration
here presented represents the murderers on their way to execution,
accompanied by the unrelenting crows. On the pages that follow are
engravings of the murderers suffering under torture; it is shown how
they were dragged at the heels of horses, and were broken and burnt on
the wheel. The moral [p247] of this story is unmistakable: it is an
awful crime to kill an ecclesiastic. The publication of so large a book
to enforce so plain a truism is an intimation that some of the laity
needed forcible illustrations of the danger of abusing the clergy.
THE DANCE OF DEATH.
[Illustration: A Page from the Heidelberg Dance of Death.
Original is 5-1/2 by 8-1/4 inches.
[From Dibdin.]]
Of this block-book of twenty-seven large pages, only two copies are
known; one of them, which is in the Heidelberg library, is entirely
xylographic, with a text in German; the other copy, in a Munich
library, has also a text in German, but it is in manuscript. For each
edition a different suite of blocks was used. Nothing is known about
the printer of either book, nor about the date of its execution. The
designs are really meritorious, and the engraving is obviously the
work of a man who had experience in his art, but the merit of the work
has been overshadowed by the superior designs of Holbein and the more
masterly engravings of Lutzelberger. The characters or personages in
this block-book are the same as those in the famous painting once at
Basle.
* * * * *
These descriptions of the more famous block-books may be sufficient to
show their paltriness from a literary point of view, and their rudeness
as specimens of printing, but the [p248] books described are not
enough in number to give us a correct notion of the activity of the
early block-printers. It is probable that many books have been lost
and forgotten; but we have, however, enough to warrant the belief that
block-printing was an industry of some repute even as early as 1430.
Public-domain text, read in full here on John Shaqi.
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