This Type V seems to have been more frequently used than any other type in the list, but it was always on petty books or pamphlets. One book printed in it has only twenty-four pages, but it is made up of four distinct tracts: _William of Saliceto on the Health of the Body_; _Torquemada on the Health of the Soul_; _A Treatise on Love, etc., by Pope Pius II_; _The Iliad of Homer_, or more definitely, a commendation of the _Iliad_. Two editions of this book have been discovered. A fragment of one edition was found in the binding of a work printed by Jan Andrieszoon, of Haarlem, in the year [p288] 1486. Another book in the same type, which consists of ten leaves, contains an abridgment or an epitome of the _Iliad_, with a preface by Pius II in praise of Homer. Of this book two editions were printed. Six editions of the _Donatus_, four editions of the _Doctrinal of Alexander Gallus_, and one edition of the _Couplets of Cato_ were also printed in this type. [Illustration: Type V. Fac-simile of the Types of the Epitaphs of Pope Pius II. [From Koning.]] TYPE VI. An edition of the _Donatus_, twenty-seven lines to the page, is the only known book in this type, which was founded on Great-primer body. TYPE VII. Four leaves of a _Donatus_ on vellum, taken from the binding of a book printed in Strasburg in the year 1493, and belonging to a convent in North Brabant, are all that is known of this type, which closely resembles the character described as Type V. TYPE VIII.[147] Impressions from this face of type have been found in the fragments of only two books. Two broad bands of parchment printed upon one side only with the text of a [p289] _Donatus_, which were discovered in the cover linings of a manual of devotion, printed at Delft in 1484, are the only known relics of one of these books. The types are barbarous, of singularly ungraceful cut, of uneven height and out of line, evidently founded by a man who had no skill in type-founding. They are printed in pale ink which is readily removed by the application of water. The presswork is as slovenly as the type-founding, but the composition was done with some care and intelligence. The lines of type are nearly even as to length, and the words, when broken, are properly divided in syllables. It is evident that the compositor knew how to space and divide words, but the font of type that he used was not provided with hyphens or marks of punctuation. The fashion of the letter is in the Dutch style as may be seen in the final _t_ with the perpendicular bar.