The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates — John Shaqi
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
We do not know by what considerations Assyrian rulers were governed
when about to choose between engraving or writing on clay; but it is
not unreasonable to assume that the inscription was written or cut on
the clay, when one copy only of a record was wanted; if numerous copies
were wanted, a die or an engraving on wood was manufactured, from which
these copies were moulded. No surer method of securing exact copies of
an original could have been devised among a people that did not use
ink and paper. These cylinders are examples of printing in its most
elementary form.
[Illustration: An Assyrian Cylinder.
[From Hansard.]]
The accompanying illustration, copied from Hansard’s _Typographia_,
represents an Assyrian cylinder which presents the same indications
of impression which have been noticed upon the bricks. This cylinder,
which is seven inches wide at each end, was so thoroughly baked
in a furnace that it is partially vitrified. Around its largest
circumference is a ragged and bulging line, about a quarter of an inch
wide, which seems [p035] to have been made by the imperfect meeting of
two moulding stamps. If the inscription had been cut on the clay, this
defect would not appear; the vertical lines would have been connected,
and the ragged white line would have been made smooth.
This method of printing in clay was rude and imperfect, but, to some
extent, it did the work of modern typography. Writings were published
at small expense, and records were preserved for ages without the aid
of ink or paper. The modern printer may wonder that this skill in
printing was not developed. The engraving that was used to impress clay
could have been coated with ink and stamped on parchment. Simple as
this application of the engraving may appear, it was never made. So far
from receiving any improvement, the art of printing in clay gradually
fell into disuse. It has been neglected for more than twenty-five
centuries on the soil where it probably originated. For Layard tells
us that an Assyrian six-sided cylinder was used as a candlestick by a
reputable Turcoman family living in the village where it was found. A
hole in the centre of one of the ends received the tallow candle. There
is a practical irony in this base application of what may have been a
praise of “the great king,” which has never been surpassed by Solomon
or Shakspeare in their reflections on the vanity of human greatness.
Engraving was used by the ancient Greeks in a manner which should have
suggested the feasibility of printing with ink. Some of the maps of the
Athenians were engraved on smooth metal plates, with lines cut below
the surface, after the method of copper-plate printers, from which
impressions on vellum, or even on papyrus, could have been taken. But,
so far as we know, the impressions were not taken: for every new map
there was a new engraving.
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