The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
There is no plausibility in the theory of Fischer, that the thing of
four pieces was a form of four pages or columns of types of wood. Nor
is there any evidence that Gutenberg had then done any practical work.
The practice of printing in Dritzehen’s house cannot be inferred from
the presence of a press, for there is no notice of paper, printed
sheets or books. It does not seem that there was a mystery about the
press. It was not the press, but what was in it, concerning which the
people were curious. It was the imperfectly described implement of four
pieces which gave the partners anxiety. [p397]
Nor was the tool of four pieces the only object of value. Gutenberg
assured the partners that the things had cost him nearly as much as he
asked of them for their shares in the enterprise, but more were to be
made. In the event of the death of a partner, his heirs were to be paid
their claim on the _forms_ and tools. When Dritzehen died, Gutenberg
sent for _all the forms_, which were melted before his eyes,[242] which
act he subsequently regretted on account of the _forms_. It was a rash
act, but Gutenberg’s fears were aroused, and he preferred to destroy
the tools rather than allow George Dritzehen to get a knowledge of his
secret.
In the practice of printing, the word form means a collection
of composed types, arranged in readable order, secured together
as one piece, in an iron band or chase, and prepared to receive
impression.[243] In all printing offices it has this meaning. That the
forms so frequently mentioned in this record of the trial were of metal
is clearly implied in the statement [p398] that Gutenberg melted them.
These forms, or formens, were, without doubt, implements connected with
typography; but whether they were types, or matrices, or moulds, or a
collection of types, is not so clear. If they were types, it will seem
strange that they were not accurately described as letters of metal
by some of the witnesses who saw them. If we regard them as matrices,
they may have been “the nice things” alluded to by Reimbolt, the use
of which he did not understand.[244] It is possible that Dritzehen was
making matrices and fitting them to the mould. If the _forms_ were
matrices, they and the punches could have cost five hundred guilders.
Public-domain text, read in full here on John Shaqi.
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