The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
If the “nice things” were matrices, there must have been a type-mould,
and it was this mould which was the key to the invention. The mould
was the only implement connected with typography which would at once
lay open to an intelligent observer the secret of making types. Of all
his tools, this was the one that had received the greatest amount of
care and labor, and it should have been the one that Gutenberg would be
anxious to conceal. It may be supposed that the thing of four pieces
that was opened by two buttons was the mould.[245] Why it should have
been kept in or under the press cannot be explained. But if Dritzehen
was fitting up matrices, it was proper that he should have the mould at
hand. The conjecture that the thing of four pieces was a type-mould,
is not free from difficulties, but it seems the only one that makes
intelligible the action of the witnesses. [p399]
[Illustration: Fac-simile of the Type-mould of Claude Garamond.
_a._ The place where the body of the type was cast. _b. c._ The
mouth-piece in which the fluid metal was poured. _d._ The type as cast,
with the metal formed in the mouth-piece adhering to it.
[From Duverger.]]
The gravest difficulty in the way of this conjecture is, that the
type-mould of modern type-founders has, including the matrix, but
three detachable pieces. As this mould is substantially of the same
form as that known to have been used by Claude Garamond, the eminent
type-founder of Paris, in 1540, it has been supposed, and properly,
that this mould of three pieces must have been used before Garamond,
by all the early printers. But it was not the only form of mould. At
the beginning of this century every type-founder found it expedient to
use at times, a type-mould somewhat different in its construction—a
mould which, with the matrix, consisted of four detachable pieces.
The merit of this mould was its adaptability, within limits, to any
size of body. Its disadvantages were its difficulty of nice adjustment
and its liability to inaccuracy—faults which have obliged all
American type-founders of this day to discontinue its use entirely.
It is, without doubt, a very old form of mould, but it was never a
popular one, having been used chiefly for casting bodies of irregular
size.[246] Mr. Bruce has showed me one of these early moulds—a mould
long out of use, preserved only as one of the earlier relics of his old
type-foundry. Its construction is [p400] too complex for description
by words, or even by engraving; but it may be sufficient to say that,
with the matrix, it consisted of four pieces, and was so constructed as
to allow of an enlargement and nice adjustment in either direction of
the space provided for casting the body of the type. The pieces were
held together by stiff springs, but buttons could have been used for
the same purpose. When these pieces were connected it would be plain
to any mechanic that it was a mould; disconnected, its purpose would
be a riddle.
Public-domain text, read in full here on John Shaqi.
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