The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
That Fust did Gutenberg a grievous wrong is very plain; that
Gutenberg had managed the business of the partnership with economy
and intelligence is not so clear. At no period of his life did the
great inventor show any talent for financial administration. He was
certainly deficient in many qualities that should be possessed by a
man of business, and Fust may have thought that he was fully justified
in placing his money [p429] interests in the hands of a more careful
manager. This, a copy of the oldest engraving known of Gutenberg,
presents him to us as a man of decided character, not to be cajoled
or managed by a partner in business. The thin curving lip and pointed
nose, the strongly marked lines on the forehead, the bold eyes and
arrogant bearing of the head reveal to us a man of genius [p430] and
of force, a man born to rule, impatient of restraint, and of inflexible
resolution. We have but to look at the portrait of Fust to see that he,
also, was accustomed to having his own way, and that he and Gutenberg
were not at all adapted to each other as partners.
But Fust would not have broken with Gutenberg if he had not been
prepared to put a competent successor in his place. In Peter Schœffer,
a young man twenty-six years old, who had been employed in the printing
office, Fust discerned an intelligent workman who gave promise of
ability as a manager. Schœffer, who then hoped to win the hand of
Fust’s daughter Christina, was, no doubt, more complaisant than the
irascible Gutenberg. As he was afterward married to her, it may be
thought that she approved his suit in its beginning, and that her
influence with her father was used to its utmost in favor of the
removal of Gutenberg and the advancement of Schœffer. It was fully
understood by the three conspirators that Gutenberg could make no
proper defense; it was determined that he should be expelled from his
place in the partnership and that Schœffer should succeed him in the
management of the printing office. When every thing had been arranged,
Gutenberg was summoned to appear before the court.
The plot was successful in all points. Fust won the suit almost without
a struggle: under the forms of law, he took possession of all the
materials made by Gutenberg for the common profit, and removed them
to his own house. With the types, presses and books went also many
of the skilled workmen, and Peter Schœffer was at their head. From
an equitable point of view, Fust was amply recompensed, He got the
printing office that he coveted, and, with it, the right to use the
newly discovered art of Gutenberg. It appears that he was content.
There is no evidence that he afterward made any attempt to collect
the claim which was, legally, unsatisfied even after the surrender of
Gutenberg’s printing materials and the printed books.
[p431]
XXII
The Later Work of Gutenberg.
Public-domain text, read in full here on John Shaqi.
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