In this colophon, Schœffer claims superior skill as a letter-cutter. This pretension must be tested by his works. His first types, on English body, appeared in 1459, at least four years after Gutenberg’s expulsion from the partnership; his next types, on Great-primer body, appeared in 1462; his last types, a very bold-faced Round Gothic on English body, were first shown in 1462, and this new face is but a font of small letters fitted to the capitals of the English of 1459.[323] These are the only types made by Schœffer. If we compare them with the types of Gutenberg, it will be perceived that they are fewer in number and of inferior design and execution. It is absurd for Schœffer to claim even equal merit with Gutenberg either as letter-cutter or type-founder. Schœffer’s real merit is to be found in his eminence as a man of business. He was, no doubt, chosen as Gutenberg’s successor, for his presumed ability as a manager and a sharp financier. This presumption was warrantable. His subsequent management of the printing office shows that he was a thorough man of business—a born trader. He has not shown that he was a mechanic or an inventor. Like John Fust, he practised printing, not because he loved it for its own sake, but because he loved its excitement and its promised rewards. [p471] Schœffer established agencies for the sale of his books in Lubec[324] and Frankfort,[325] and probably in other cities. He sold not only his own books, but those of other printers.[326] We have many evidences that he was unwearied in the prosecution of his business, which seems to have been attended with much risk of loss.[327] His prosperity was at its highest point in 1476, in which year he printed four large books. After 1480, his interest in the printing office began to decline. Between 1490 and 1502, but six books were issued from his office. It is worthy of note that his last book was the fourth edition of the _Psalter_, the book with which he began his typographical career.