[From Heineken.]] Another book attributed to Pfister is known as _Belial_, or the _Consolation of the Sinner_. It is a folio of 95 leaves, which exhibits on the last leaf the words _Albrecht Pfister su Bamberg_. Pfister also printed two editions of the _Bible of the Poor_, one in Latin and one in German, each containing eighteen engravings. His treatment of the old block-book is that of a mechanic and not of an artist: the designing, [p483] engraving and printing are of the lowest order. He also printed the _Complaint against Death_, and the _Judgment of Man after Death_. All were printed with the types of the _Bible of 36 lines_, and they were, apparently, his only types. [p484] That Pfister was not a type-founder seems clearly enough established through the fact that he did all his typographic work with only one size and face of type. In all his books, the letters of the Latin alphabet appear old and worn, but the _w_, _k_, and _z_, characters of the German alphabet, are new and sharp. The types had evidently been used before for books in Latin, but not by Pfister, for the _Bible of the Poor_ seems to have been the only book he printed in that language. The _Book of Fables_ bearing the date of 1461 seems the earliest of Pfister’s books, but it was published without any explanation stating that it was made by a new art. It may therefore be presumed that he began to print with types before 1461. The profusion of wood-cuts in his books is an indication that he was an engraver on wood—probably a maker of playing cards, images, and block-books, who had profited by an early opportunity to perceive the advantages of types. As a seller and maker of chap-books, he would prefer the types because they explained his pictures more cheaply than the slower process of engraving letter by letter; but his persistent use of types which other printers would have condemned as worn out, shows that he did not make and could not renew them. It is not probable that a man who seems to have rated his wretched wood-cuts as the most meritorious feature of his books could have invented types. It is possible, however, that an image printer of low aims and slender ability could have perceived the economical advantages of types, and may have purchased a discarded font for the sole purpose of printing explanations to his engravings. And this seems the only conjecture that will explain Pfister’s ownership of the types of the _Bible of 36 lines_.