The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
Castaldi, more ingenious or more fortunate, had already discovered
movable types before the arrival of Faust in Feltre. It is well known
that, a century before the publication of the _Mentz Psalter of 1457_,
initial letters and capital letters formed of glass were manufactured
at Murano, and used in Italy. These glass letters were, probably, the
invention of Pietro de Natali, bishop of Equilo. Castaldi had noticed
that these letters were of advantage to the scribes, who printed them
in their manuscript books. He at once saw that it would be possible
to print entire books, instead of occasional letters, with movable
types. The facility with which this discovery had been made caused
him to undervalue its importance. He gave the idea to Faust, who,
returning to his partners in 1456, or a little before, enabled them
to appropriate the invention of Castaldi. They greedily adopted this
invention, and, in 1457, they produced the _Psalter_, the first book
printed with movable characters of wood.[336]
The only portion of this absurd story which has any claim to respect is
that about the early use in Italy by copyists of engraved or moulded
initial letters. That they were, or could have been, made by the
glass-blowers of Murano, and that Castaldi may have amused himself with
experiments in stamping consecutive letters or lines, is possible. All
else is pure fiction. It does not appear that Castaldi printed anything
of value: we have no relics of his experiments in the form of a book,
or even of a leaf, a line, or a letter. Nor did his dreams or teachings
about the possible value of types ever incite any of his Italian pupils
to make and use types.
To those who think that the merit of the invention of printing is in
the conception of the idea of movable types, this legend about Castaldi
is instructive. It reveals to us a man who is represented as having
a very clear idea of the [p488] importance of types, who did nothing
with his great discovery. His discovery, if it can be so called, was
useless. He cannot be rated as an inventor of printing, for he printed
nothing.
John Mentel, of Strasburg, who died in December, 1478, and was buried
in the great cathedral of that city, has there a tablet to his memory,
which contains the following inscription:
Here I rest: I, John Mentel, who, by the grace of God, was the first
to invent, in Strasburg, the characters of typography, and to develop
this art of printing, which should be perpetuated to the end of the
world, to such a degree of perfection that a man can now write as much
in a day as another could have done in a year. It is but just that
thanks should be rendered to God, and without vanity, to me myself;
but as this homage could not otherwise be rendered in a proper manner,
God has ordained, as the reward for my invention, that the stones of
this cathedral should serve for my mausoleum.[337]
Public-domain text, read in full here on John Shaqi.
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