The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His AssociatesDe Vinne, Theodore Low
History
The Invention of Printing.: A Collection of Facts and Opinions, Descriptive of Early Prints and Playing Cards, the Block-Books of the Fifteenth Century, the Legend of Lourens Janszoon Coster, of Haarlem, and the Work of John Gutenberg and His Associates
De Vinne, Theodore Low
Incunabula -- Bibliography; Printing -- History -- Origin and antecedents
The claim that Mentel was the inventor of typography was first made
in 1520 by John Schott,[338] son of Martin Schott, who had married
Mentel’s daughter and inherited his business. [p489] In the year 1521,
Jerome Gebwiler, misled by the assertions of Schott, undertook to
controvert the pretensions of Fust and Schœffer as the first printers.
He writes that printing was practised in Strasburg by John Mentel,
who had obtained the new art of chalcography, or of making books with
tin pens (types) about the year 1447; that Mentel, and Eggestein,
his partner, made an agreement that they should keep secret the new
art; that John Schott, whom he praises, showed him a manuscript book,
without date, written by Mentel, in which were drawings of typographic
instruments, and observations on the manufacture of printing ink.
It was by similar methods that John Schott induced James Spiegel to
declare, in a book printed in 1531, that John Mentel invented printing
in Strasburg in the year 1444.[339] John Schott is also the authority
for the following version of the invention which was found in an old
manuscript chronicle attributed to Daniel Specklin.
[Illustration: The Arms of the Typothetæ.
[From Hansard.]]
In the year 1440, the admirable art of printing was discovered in
Strasburg by John Mentel. His son-in-law, Peter Schoiffer, and Martin
Flach at once made use of the discovery; but a servant of Mentel,
called John Gensfleisch, after stealing the secret, fled to Mentz,
where he soon established the new art, through the help of Gutenberg,
a very rich man. Mentel was so affected with grief by this perfidy
that it caused his death. In honor of the art, he was buried in the
monastery or cathedral church, and a representation of his press was
cut on his tombstone. God swiftly punished the servant Gensfleisch, by
striking him with blindness for the remnant of his life. I have seen
the first press (of Mentel) and the types cut on wood, which were of
syllables and words. They were pierced through the sides, that they
could be conjoined by a wire and kept in line. It is to be regretted
that these types, the first of the kind, should have been lost.[340]
[p490]
Public-domain text, read in full here on John Shaqi.
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