British Columbia -- Fiction; Families -- Fiction; Lumber trade -- Fiction
"_He placed this stone,_" Rod translated. "Come on. I'll show you
where the old chap's buried and tell you something about him."
Big Dent passes on map and chart for an island, by a geographical
laxity. But it is an island only for brief moments at an extremely
high tide. Otherwise it is a peninsular out-thrust, that helps to
choke the Euclataw Passage.
Big Dent was a mile wide and twice as long. From side to side and
from end to end it stood clothed in its ancient garment, the forest.
Everywhere lifted enormous firs in whose plumy crests had sighed the
winds that blew the first Norquay's trading vessel down Cardero
Channel, cedars that were lusty when Columbus crossed the Western
Ocean. For profit there had never been ax laid to tree on that
twelve hundred acres. On its northern extremity Big Dent remained
the natural forest of the region, a hushed jungle of devil's club,
salal brush, ferns that grew man-high, salmonberry, branchy dogwood,
vine maple. Out of this lesser growth the great trees rose in their
majesty, silent, immobile, brooding. The sun blazed on their lofty
heads. About their boles were silence and shade, a coolness at
midday heat, the commingled smells of moist, fecund earth and rotting
wood.
But all across the southern portion, the greater half of Big Dent,
the thickets had been cut away, the patriarchal trees freed of the
litter about their solidly planted feet, the sun let in, grass sowed,
so that the eye could reach far down wooded corridors and get
glimpses of sparkling sea; so that a Norquay or his guests could walk
abroad in those friendly places and observe--if they were minded to
observe--how man had imposed order and beauty upon the wasteful
processes of nature by sweeping away all the detritus of the arboreal
struggle to survive.
Leaving the house Rod and Laska walked a little way up the slope.
They came to a small square enclosed by a low wall of masonry, the
half-acre of the Norquay dead. A gate of grilled iron let them in.
A red cedar rose in the middle of the plot like an enormous brown
mast which had sprouted flat, feathery boughs that drooped as if
tired with the weight of long-borne years, and cast a deep shadow
over part of this burial ground. In this shaded portion uprose a
number of gray granite slabs, the native rock every Norquay had used
for such of his works as he wished to endure. Apart from these
simple slabs stood a row of uniform design: a headstone four feet
high, three feet wide; another, the width of the headstone and the
length of a tall man, laid flat on the earth. Ornamentation there
was none. Plain gray stone, worked to a smooth polish, briefly
lettered,--that was all. A few flower beds were let into the turf
between. A simple, unpretentious place in which plain men could take
their long sleep.
Rod stopped by the first of the larger headstones.
"This was the first of our family here," he said.
The girl looked down at the inscription.
RODERICK SYLVESTER NORQUAY
Public-domain text, read in full here on John Shaqi.
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