After Mrs. Hall had left the room, he remained standing in front of the
fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr.
Henfrey not only took off the hands of the clock, and the face, but
extracted the works; and he tried to work in as slow and quiet and
unassuming a manner as possible. He worked with the lamp close to him,
and the green shade threw a brilliant light upon his hands, and upon
the frame and wheels, and left the rest of the room shadowy. When he
looked up, coloured patches swam in his eyes. Being constitutionally of
a curious nature, he had removed the works—a quite unnecessary
proceeding—with the idea of delaying his departure and perhaps falling
into conversation with the stranger. But the stranger stood there,
perfectly silent and still. So still, it got on Henfrey’s nerves. He
felt alone in the room and looked up, and there, grey and dim, was the
bandaged head and huge blue lenses staring fixedly, with a mist of
green spots drifting in front of them. It was so uncanny to Henfrey
that for a minute they remained staring blankly at one another. Then
Henfrey looked down again. Very uncomfortable position! One would like
to say something. Should he remark that the weather was very cold for
the time of year?
He looked up as if to take aim with that introductory shot. “The
weather—” he began.
“Why don’t you finish and go?” said the rigid figure, evidently in a
state of painfully suppressed rage. “All you’ve got to do is to fix the
hour-hand on its axle. You’re simply humbugging—”
“Certainly, sir—one minute more. I overlooked—” and Mr. Henfrey
finished and went.
But he went feeling excessively annoyed. “Damn it!” said Mr. Henfrey to
himself, trudging down the village through the thawing snow; “a man
must do a clock at times, surely.”
And again, “Can’t a man look at you?—Ugly!”
And yet again, “Seemingly not. If the police was wanting you you
couldn’t be more wropped and bandaged.”
At Gleeson’s corner he saw Hall, who had recently married the
stranger’s hostess at the “Coach and Horses,” and who now drove the
Iping conveyance, when occasional people required it, to Sidderbridge
Junction, coming towards him on his return from that place. Hall had
evidently been “stopping a bit” at Sidderbridge, to judge by his
driving. “’Ow do, Teddy?” he said, passing.
“You got a rum un up home!” said Teddy.
Hall very sociably pulled up. “What’s that?” he asked.
“Rum-looking customer stopping at the ‘Coach and Horses,’” said Teddy.
“My sakes!”
And he proceeded to give Hall a vivid description of his grotesque
guest. “Looks a bit like a disguise, don’t it? I’d like to see a man’s
face if I had him stopping in _my_ place,” said Henfrey. “But women are
that trustful—where strangers are concerned. He’s took your rooms and
he ain’t even given a name, Hall.”
“You don’t say so!” said Hall, who was a man of sluggish apprehension.
Public-domain text, read in full here on John Shaqi.
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