The Irish on the Somme: Being a Second Series of 'The Irish at the Front'MacDonagh, Michael
History
The Irish on the Somme: Being a Second Series of 'The Irish at the Front'
MacDonagh, Michael
Great Britain. Army; Somme, 1st Battle of the, France, 1916; World War, 1914-1918 -- Regimental histories
Even a Cockney soldier, lacking as he is in any subtle sympathy with
the emotional and immaterial sides of life, confesses that it gives
him the creeps proper to be out there in the open jaws of darkness,
away from his mates and almost right under the nose of old Boche. An
Irish soldier will admit that on this duty he does have a genuine
feeling of terror. Crouching in the soft, yielding earth, he imagines
he is in the grave, watching and waiting he knows not for what.
Everything is indefinite and uncertain. There is a vague presentiment
that some unknown but awful evil is impending. Perhaps a thousand
hostile German eyes are staring at him through the darkness along
rifle barrels; or, more horrible still, perhaps a thousand invisible
devils are on the prowl to drag his soul to hell. The supernatural
powers are the only forces the Irish soldier fears.
The senses of the sentry are so abnormally alert that if grass were
growing near him he had only to put his ear to the ground to hear the
stirring of the sap. But though he listens intently, not a sound comes
out of the blackness. He regards the profound stillness as
confirmation of his worst fears. All is silence in the trench behind
him, where his comrades ought to be. He would welcome the relief of
voices and the sound of feet in the enemy's lines. But the Gerrys give
no sign of life. Is he alone in the whole wide world, the solitary
survivor of this terrible war? What would he not part with to be able
to get up and run! But he is fixed to his post by a sense of duty,
just as strong as if he were chained there by iron bands. To cry out
would afford immense relief to his overwrought feelings. But his
tongue seems paralysed in his mouth. Then he bethinks him of his
prayers. From his inside tunic pocket he takes out his beads--which
his mother gave him at parting and made him promise faithfully always
to carry about his person--and, making the sign of the cross, he is
soon absorbed in the saying of the Rosary. Resignation and fortitude
came to his aid. The invisible evil agencies by which he had really
been encompassed--loneliness, anxiety, melancholy--are dispelled.
Public-domain text, read in full here on John Shaqi.
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