The Irish Penny Journal, Vol. 1 No. 07, August 15, 1840Various
History
The Irish Penny Journal, Vol. 1 No. 07, August 15, 1840
Various
Ireland -- Periodicals
As we went along, Mickey, with his usual tact, got out of us all the
information respecting the several courtships of the neighbourhood that
had reached us, and as much, too, of the village gossip and scandal as we
knew.
Nothing can exceed the overflowing kindness and affection with which the
Irish fiddler is received on the occasion of a dance or merry-making; and
to do him justice he loses no opportunity of exaggerating his own
importance. From habit, and his position among the people, his wit and
power of repartee are necessarily cultivated and sharpened. Not one of his
jokes ever fails--a circumstance which improves his humour mightily; for
nothing on earth sustains it so much as knowing, that, whether good or
bad, it will be laughed at. Mickey, by the way, was a bachelor, and,
though blind, was able, as he himself used to say, to see through his ears
better than another could through the eyes. He knew every voice at once,
and every boy and girl in the parish by name, the moment he heard them
speak.
On reaching the house he is bound for, he either partakes of, or at least
is offered, refreshment, after which comes the ecstatic moment to the
youngsters: but all this is done by due and solemn preparation. First he
calls for a pair of scissors, with which he pares or seems to pare his
nails; then asks for a piece of rosin, and in an instant half a dozen boys
are off at a break-neck pace, to the next shoemaker’s, to procure it;
whilst in the meantime he deliberately pulls a piece out of his pocket and
rosins his bow. But, heavens! what a ceremony the opening of that
fiddle-case is! The manipulation of the blind man as he runs his hand down
to the key-hole--the turning of the key--the taking out of the fiddle--the
twang twang--and then the first ecstatic sound, as the bow is drawn across
the strings; then comes a screwing; then a delicious saw or two; again
another screwing--twang twang--and away he goes with the favourite tune of
the good woman, for such is the etiquette upon these occasions. The house
is immediately thronged with the neighbours, and a preliminary dance is
taken, in which the old folks, with good-humoured violence, are literally
dragged out, and forced to join. Then come the congratulations--“Ah, Jack,
you could do it wanst,” says Mickey, “an’ can still; you have a kick in
you yet.” “Why, Mickey, I seen dancin’ in my time,” the old man will
reply, his brow relaxed by a remnant of his former pride, and the hilarity
of the moment, “but you see the breath isn’t what it used to be wid me,
when I could dance the _Baltehorum Jig_ on the bottom of a ten-gallon
cask. But I think a glass o’ whisky will do us no harm afther that.
Heighho!--well, well--I’m sure I thought _my_ dancin’ days wor over.”
“Bedad an’ you wor matched any how,” rejoined the fiddler. “Molshy carried
as light a heel as ever you did; sorra a woman of her years ever I seen
could cut the buckle wid her. You would know the tune on her feet still.”
Public-domain text, read in full here on John Shaqi.
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