The Irish Penny Journal, Vol. 1 No. 20, November 14, 1840Various
History
The Irish Penny Journal, Vol. 1 No. 20, November 14, 1840
Various
Ireland -- Periodicals
To produce a raised design upon a plate of copper, or as it is rather
erroneously styled, “Engraving in Relief,” the operation is thus
performed:--
The plate upon which the design is to be raised having had the conducting
wire soldered to it, is covered with a coat of wax about one-eighth of an
inch or less in thickness, and upon the surface of this coat the design
is drawn. With a graver, the end of which must be of the form of a thin
parallelogram, so as to make grooves in the wax equally broad at the
bottom as at the top, the lines of the drawing are to be carefully cut
down to the plate; care being taken that the plate is perfectly cleaned
throughout each line, and also that the grooves are not narrower at the
bottom than at the top. In order to lay the surface of the copper at
the bottom of the grooves perfectly bare, the plate must be immersed
in diluted nitric acid (three parts of water to one of acid), and the
particles of wax that may have escaped the graver are driven off by the
fumes of the acid. The plate is then placed in the apparatus, the circle
closed as before, and the operation commences. As the particles of copper
require a metallic base, they avoid the wax and seek the metal in the
grooves; they there attach themselves to it, and to each other, until the
hollows are quite filled up, when the plate is removed. If the surfaces
of the ridges thus built up be not perfectly smooth, a piece of pumice
stone or smooth flag, with water, being rubbed to them, will soon reduce
them, after which the wax can be melted and cleaned off with spirits of
turpentine; and so firm is this formation of metal thus raised, both in
the adherence of its particles to each other and to the original plate,
that it may be printed from at any ordinary printing-press.
One general remark applies to the production of electrotype copper,
and it is, that the strength and solidity of the formation depends
upon the slowness and deliberation of the process. The more slowly and
deliberately the particles separate from the solution and proceed to
their places, the more fitly they appear to take them up, and the more
firmly they adhere; whilst on the contrary, if the operation be hurried,
the metal is brittle, so much so as sometimes to powder under an ordinary
pressure. The thicker and finer the partition of plaster between the two
fluids, the more slightly are they connected, and consequently the slower
is the circulation of the electricity. The proper length of time to be
allowed for the process varies according to the nature of the work, and
the strength or solidity required. Forty-eight hours seems to be the
least time for forming a design in relief, and somewhat more than a week
for a plate with sunk lines.
Public-domain text, read in full here on John Shaqi.
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