The execution of this statue was followed by that of a large sepulchral monument in _basso relievo_ to the memory of the late Dr Collins, Roman Catholic Bishop of Cloyne--a figure of Religion holding in her lap a medallion portrait of the bishop. For this work Mr Hogan was to have received two hundred pounds, but there is still a balance of thirty pounds due to him. We next find Mr Hogan engaged on a second work for our city--the _Pieta_, or figures of the Virgin and the Redeemer, of colossal size, executed in plaster for the Rev. Dr Flanagan, Roman Catholic Rector of the chapel in Francis Street, which it now adorns. Of this work, an engraving, with a masterly description and eulogium from the pen of the Marchese Melchiori, a great authority in matters of critical taste in the fine arts, has been published in the _Ape Italiana_--a work of the highest authority, published monthly in Rome; and we should state for the honour of our country, that our own Hogan and the sculptor Gibson are the only British artists whose works have as yet found a place in it. Mr Hogan’s subsequent works, exclusive of a number of busts, may now be briefly enumerated. First, a marble figure of the late Archbishop of Paris, about two and a half feet high, executed for the Lord de Clifford; second, the Judgment of Paris--two figures in marble about the same height as the last--for General Sir James Riall, an Irish baronet resident in Bath; third, a monumental _alto relievo_ to the memory of Miss Farrell of Dublin, executed for her mother, and considered by Gibson as the best of all our sculptor’s works; fourth, a _Genio_ on a sarcophagus, a monument for the family of the late Mr Murphy of Cork; and, lastly, the Monument to Dr Doyle, on which we have now to utter a few remarks.