The Irish Penny Journal, Vol. 1 No. 38, March 20, 1841Various
History
The Irish Penny Journal, Vol. 1 No. 38, March 20, 1841
Various
Ireland -- Periodicals
As a monastic ruin, the Abbey of Holy Cross ranks in popular esteem as
one of the first, if not the very first, in Ireland. But though many of
its architectural features are of remarkable beauty, it is perhaps as
a whole scarcely deserving of so high a character; and its effect upon
the mind is greatly diminished by the cabins and other objects of a mean
character by which it is nearly surrounded. Like most monastic structures
of considerable importance, its general form is that of a cross,
consisting of a nave, chancel, and transept, with a lofty square belfry
at the intersection of the cross; but it is distinguished from other
structures of the kind in having in both of its transepts two distinct
chapels beautifully groined--a feature which imparts much interest and
picturesqueness to the general effect. Between two of these chapels
and the south transept there is a double row of three pointed arches,
supported by twisted pillars, each distant about two feet four inches
from the other, and having a similar pointed arch in front. The object
of this singular feature has given rise to much conjecture, but the more
rational opinion seems to be, that it was designed as a resting place
for the dead bodies of the monks and other persons previous to interment
in the abbey, or its cemetery. In addition to this, the interior of the
church has another very unique and remarkable feature, namely, that the
choir arch is not placed as usual beneath the tower, but thirty feet
in advance of it, thus making the choir of greater length by fourteen
feet than the nave, which is but fifty-eight feet long, the entire
length of the church being one hundred and thirty feet. This peculiarity
appears, however, to be an after-thought, and not the design of the
original architect, which was evidently to limit, as usual, the length
of the choir to the arch in front of the tower, and the second arch is
unquestionably of more modern construction. The steeple rests on four
beautifully groined arches, the supporters of which are connected in the
centre by a great variety of ogives passing diagonally from their angles;
and the roof of the choir, as well as those of the side chapels, is
similarly enriched. The nave appears to have been of meaner architecture,
and has lost its roof; but it has aisles formed by four pointed arches
on each side, and which lead into the transepts. Of the windows in this
church we may observe generally, that they are of very elegant taste of
design.
Public-domain text, read in full here on John Shaqi.
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