On the other side of the street, opposite the Maitland house, was a
huddle of wooden tenements. Some of them were built on piles, and
seemed to stand on stilts, holding their draggled skirts out of the mud
of their untidy yards: some sagged on rotting sills, leaning shoulder
to shoulder as if to prop one another up. From each front door a shaky
flight of steps ran down to the unpaved sidewalk, where pigs and
children and hens, and the daily tramp of feet to and from the Maitland
Works, had beaten the earth into a hard, black surface--or a soft,
black surface, when it rained. These little huddling houses called
themselves Maitland's Shantytown, and they looked up at the Big House,
standing in melancholy isolation behind its fence of iron spears, with
the pride that is common to us all when we find ourselves in the
company of our betters. Back of the little houses was a strip of waste
land, used for a dump; and beyond it, bristling against the sky, the
long line of Mercer's stacks and chimneys.
In spite of such surroundings, the Big House, even as late as the early
seventies, was impressive. It was square, with four great chimneys, and
long windows that ran from floor to ceiling. Its stately entrance and
its two curving flights of steps were of white marble, and so were the
lintels of the windows; but the stone was so stained and darkened with
smoky years of rains and river fogs, that its only beauty lay in the
noble lines that grime and time had not been able to destroy. A gnarled
and twisted old wistaria roped the doorway, and, crawling almost to the
roof, looped along the eaves, in May it broke into a froth of exquisite
purple and faint green, and for a week the garland of blossoms,
murmurous with bees, lay clean and lovely against the narrow, old
bricks which had once been painted yellow. Outside, the house had a
distinction which no superficial dilapidation could mar; but inside
distinction was almost lost in the commonplace, if not in actual
ugliness. The double parlors on the right of the wide hall had been
furnished in the complete vulgarity of the sixties; on the left was the
library, which had long ago been taken by Mrs. Maitland as a bedroom,
for the practical reason that it opened into the dining-room, so her
desk was easily accessible at any time of night, should her passion for
toil seize her after working-hours were over. The walls of this room
were still covered with books, that no one ever read. Mrs. Maitland had
no time to waste on reading; "I _live_," she used to say; "I don't read
about living!" Except the imprisoned books, the only interesting things
in the room were some _cartes-de-visite_ of Blair, which stood in a
dusty row on the bureau, one of them propped against her son's first
present to her--the unopened bottle of Johann Maria Farina. When Blair
was a man, that bottle still stood there, the kid cap over the cork
split and yellow, the ribbons of the little calendar hanging from its
Public-domain text, read in full here on John Shaqi.
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