"You ought to be punished very severely, Blair--and Nannie, too. But I am very busy this morning, so I shall only say"--she hesitated; what on earth should she say! "that--that you shall lose your allowance for this week, both of you." One of them muttered, "Yes'm." Mrs. Maitland looked as uncomfortable as they did. She wondered what to do next. How much simpler a furnace was than a child! "Well," she said, "that's all--at present"; it had suddenly occurred to her that apprehension was a good thing; "_at present_," she repeated darkly; "and Blair, remember; thieves go to hell." She watched them with perplexed eyes as they hurried out of the room; just as they reached the door she called: "Blair!" The child stopped short in his tracks and quivered. "Come here." He came, slowly, his very feet showing his reluctance. "Blair," she said--in her effort to speak gently her voice grated; she put out her hand as if to draw him to her, but the child shivered and moved aside. Mrs. Maitland looked at him dumbly; then bent toward him, and her hands, hanging between her knees, opened and closed, and even half stretched out as if in inarticulate entreaty. Nannie, in the doorway, sobbing under her breath, watched with frightened, uncomprehending eyes. "My son," Sarah Maitland said, with as much mildness as her loud voice could express, "what did you mean to do when you ran away?" She smiled, but he would not meet her eyes. "Tell me, my boy, why did you run away?" Blair tried to speak, cleared his throat, and blurted out four husky words: "Don't like it here." "Don't like what? Your home?" Blair nodded. "Why not?" she asked, astonished. "Ugly," Blair said, faintly. "Ugly! What is ugly?" Blair, without looking up, made a little, swift gesture with his hand. "This," he said; then suddenly he lifted his head, gave her a sidewise, shrinking look, and dropped his eyes. The color flew into Mrs. Maitland's face; with an ejaculation of anger, she got on her feet. "You are a very foolish and very bad little boy," she said; "you don't know what you are talking about. I had meant to increase your allowance, but now I won't do it. Listen to me; it is no matter whether a house, or a--a person, is what you call 'ugly.' What matters is whether they are useful. Everything in the world ought to be useful--like our Works. If I ever hear you saying you don't like a thing because it's ugly, I shall--I shall not give you any money at all. Money!" she burst out, suddenly fluent, "money isn't _pretty_! Dirty scraps of paper, bits of silver that look like lead--perhaps you call money 'ugly,' too?"