With growing hair and the wholesome companionship of other girls, of
course the ascetic impulse died a natural death; but the temper did not
die. It only hid itself under that sense of propriety which is
responsible for so much of our good behavior. When it did break loose,
the child suffered afterward from the consciousness of having made a
fool of herself--which is a wholesome consciousness so far as it
goes--but it did not go very far with Elizabeth; she never suffered in
any deeper way. She took her temper for granted; she was not complacent
about it; she did not credit it to "temperament," she was merely matter
of fact; she said she "couldn't help it." "I don't want to get mad,"
she used to say to Nannie; "and of course I never mean any of the
horrid things I say. I'd like to be good, like you; but I can't help
being wicked." Between those dark moments of being "wicked" she was a
joyous, unself-conscious girl of generous loves, which she expressed as
primitively as she did her angers; indeed, in the expression of
affection Elizabeth had the exquisite and sometimes embarrassing
innocence of a child who has been brought up by a sad old bachelor and
a timid old maid. As for her angers, they were followed by irrational
efforts to "make up" with any one she felt she had wronged. She spent
her little pocket-money in buying presents for her maleficiaries, she
invented punishments for herself; and generally she confessed her sin
with humiliating fullness. Once she confessed to her uncle, thereby
greatly embarrassing him:
"Uncle, I want you to know I am a great sinner; probably the chief of
sinners," she said, breathing hard. She had come into his library after
supper, and was standing with a hand on the back of his chair; her eyes
were bright with unshed tears.
"Good gracious!" said Robert Ferguson, looking at her blankly over his
glasses, "what on earth have you been doing now?"
"I got mad, and I chopped up the feather in Cherry-pie's new bonnet,
and I told her she was a hideous, monstrous old donkey-hag."
"Elizabeth!"
"I did."
"Have you apologized?"
"Yes," said Elizabeth; "but what's the good of 'pologizing? _I said
it._ 'Course I 'pologized; and I kissed her muddy rubbers when she
wasn't looking; and I gave her all my money for a new feather"--she
stopped, and sighed deeply; "and here is the money you gave me to go to
the theater. So now I haven't any money at all, in the world."
Public-domain text, read in full here on John Shaqi.
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