"You'd eat nothing at all, young man, let me tell you, if it wasn't for the 'papers,' as you call 'em, in this house!" But it was no wonder that Blair called it ugly--the house, the orchard, the Works--even his mother, in her rusty black alpaca dress, sitting at her desk in the big, dingy dining-room, driving her body and soul, and the bodies and souls of her workmen--all for the sake of the little, shrinking boy, who wanted a bunch of flowers on the table. Poor mother! Poor son! And poor little proper, perplexed half-sister, looking on, and trying to make peace. Nannie's perplexities had begun very far back. Of course she was too young when her father married his second wife to puzzle over that; but if she did not, other people did. Why a mild, vague young widower who painted pictures nobody bought, and was as unpractical as a man could be whose partnership in an iron-works was a matter of inheritance--why such a man wanted to marry Miss Sarah Blair was beyond anybody's wisdom. It is conceivable, indeed, that he did not want to. There were rumors that after the death of Nannie's mother, Herbert Maitland had been inclined to look for consolation to a certain Miss Molly Wharton (she that afterward married another widower, Henry Knight); and everybody thought Miss Molly was willing to smile upon him. Be that as it may, he suddenly found himself the husband of his late partner's daughter, a woman eight years older than he, and at least four inches taller; a silent, plain woman, of devastating common sense, who contradicted all those femininities and soft lovelinesses so characteristic, not only of his first wife but of pretty Molly Wharton also. John Blair, the father of the second Mrs. Maitland, an uneducated, extremely intelligent man, had risen from puddling to partnership in the Maitland Works. There had been no social relations between Mr. Maitland, Sr., and this new member of the firm, but the older man had a very intimate respect, and even admiration for John Blair. When he came to die he confided his son's interests to his partner with absolute confidence that they would be safe. "Herbert has no gumption, John," he said; "he wants to be an 'artist.' You've got to look after him." "I will, Mr. Maitland, I will," said John Blair, snuffling and blowing his nose on a big red pocket-handkerchief. He did look after him. He put Herbert's affairs ahead of his own, and he made it clear to his daughter, who in business matters was, curiously enough, his right-hand man, that "Maitland's boy" was always, as he expressed it, "to have the inside track." "I ain't bothering about you, Sally; I'll leave you enough. And if I didn't, you could scratch gravel for yourself. But Maitland's boy ain't our kind. He must be taken care of."