Iroquois Indians; Mohawk language -- Texts; Onondaga language -- Texts
The notable fact is that the reports of a
tradition preserved for four hundred years, in two divisions of a broken
tribe, which have been widely separated for more than a century, should
agree so closely in all important particulars. Such concurrence of
different chroniclers in the main narrative of an event, with some
diversity in the details, is usually regarded as the best evidence of
the truth of the history.]
Clark's informants also told him much about a snow-white canoe in which
Hiawatha--or, rather, Ta-oun-ya-wa-tha--made his first appearance to
human eyes. In this canoe the demigod was seen on Lake Ontario,
approaching the shore at Oswego. In it he ascended the river and its
various branches, removing all obstructions, and destroying all enemies,
natural and preternatural. And when his work was completed by the
establishment of the League, the hero, in his human form of Hiawatha,
seated himself in this canoe, and ascended in it to heaven, amid "the
sweetest melody of celestial music."
The nucleus and probable origin of this singular story is perhaps to be
found in the simple fact that Hiawatha, after his flight from the
Onondagas, made his appearance among the Caniengas a solitary voyager,
in a canoe, in which he had floated down the Mohawk river. The canoes of
the Caniengas were usually made of elm-bark, the birch not being common
in their country. If Hiawatha, as is not unlikely, had found or
constructed a small canoe of birch-bark on the upper waters of the
stream, and used it for his voyage to the Canienga town, it might
naturally attract some attention. The great celebrity and high position
which he soon attained, and the important work which he accomplished,
would cause the people who adopted him as a chief to look back upon all
the circumstances of his first arrival among them with special interest.
That the canoe was preserved till his death, and that he was buried in
it, amid funeral wails and mournful songs from a vast multitude, such as
had never before lamented a chief of the Kanonsioani, may be deemed
probable enough; and in these or some similar events we may look for the
origin of this beautiful myth, which reappears, with such striking
effect, in the closing scene of Longfellow's poem.
NOTE E.
THE IROQUOIS TOWNS.
Public-domain text, read in full here on John Shaqi.
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