The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
and I have had more than enough of her set and her family, except that
I should like to remain good friends with you. You are the only one of
the whole lot worth your salt. It is understood, of course, that you
take Marian’s part against me on all issues; but will you be friends as
far as is consistent with that?”
“All right,” said Nelly, shortly.
“Shake hands on it; and I’ll tell you something else that will help you
to understand me better,” he said, holding out his hand. She gave hers;
and when the bargain was struck, he turned to the fire and seated
himself on the edge of the table.
“You know that when I married,” he resumed, “I was promoted to mix in
fashionable society for the first time. Of course you do: that was the
whole excitement of the affair for the family. You know the impression
I made on polite society better, probably, than I do. Now tell me: do
you know what impression polite society made on me?”
“Dont understand.”
“Perhaps it has never occurred even to you, sharp as you are, that I
could have taken society otherwise than at its own valuation of itself,
as something much higher, more cultivated and refined than anything
that I had been accustomed to. Well, I never believed in that much at
any time; but it was not until I had made a _mésalliance_ for Marian’s
sake that I realized how infinitely beneath me and my class was the one
I had married into.”
“_Mésalliance!_—with Marian! I take back the shake hands.”
“_Mésalliance_ with her class, for her sake: I made the distinction
purposely. Now what am I, Miss McQuinch? A worker. I belonged and
belong to the class that keeps up the world by its millions of
serviceable hands and serviceable brains. All the pride of caste in me
settles on that point. I admit no loafer as my equal. The man who is
working at the bench is my equal, whether he can do my day’s work or
not, provided he is doing the best he can. But the man who does not
work anyhow, and the class that does not work, is a class below mine.
When I annoyed Marian by refusing to wear a tall hat and cuffs, I did
so because I wanted to have it seen as I walked through Piccadilly and
St. James’s Street that I did not belong there, just as your people
walk through a poor street dressed so as to shew that they dont belong
there. To me a man like your uncle, Marian’s father, or like Marmaduke
or Douglas, loafing idly round spending money that has been made by the
sweat of men like myself, are little better than thieves. They get on
with the queerest makeshifts for self-respect: old Mr. Lind with family
pride. Douglas with personal vanity, and Marmaduke with a sort of
interest in his own appetites and his own jollity. Everything is a sham
with them: they have drill and etiquet instead of manners, fashions
instead of tastes, small talk instead of intercourse. Everything that
is special to them as distinguished from workers is a sham: when you
get down to the real element in them, good or bad, you find that it is
Public-domain text, read in full here on John Shaqi.
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