Elinor, her third and only other child, was one of her troubles. At an early age it was her practice, once a week or thereabouts, to disappear in the forenoon; be searched anxiously for all day; and return with a torn frock and dirty face at about six o’clock in the afternoon. She was stubborn, rebellious, and passionate under reproof or chastisement: governesses had left the house because of her; and from one school she had run away, from another eloped with a choir boy who wrote verses. Him she deserted in a fit of jealousy, quarter of an hour after her escape from school. The only one of her tastes that conduced to the peace of the house was for reading; and even this made her mother uneasy; for the books she liked best were fit, in Mrs. McQuinch’s opinion, for the bookcase only. Elinor read openly what she could obtain by asking, such as Lamb’s Tales from Shakespear, and The Pilgrim’s Progress. The Arabian Nights Entertainments were sternly refused her; so she read them by stealth; and from that day there was always a collection of books, borrowed from friends, or filched from the upper shelf in the library, beneath her mattress. Nobody thought of looking there for them; and even if they had, they might have paused to reflect on the consequences of betraying her. Her eldest sister having given her a small workbox on her eleventh birthday, had the present thrown at her head two days later for reporting to her parents that Nelly’s fondness for sitting in a certain secluded summer-house was due to her desire to read Lord Byron’s poetry unobserved. Miss Lydia’s forehead was severely cut; and Elinor, though bitterly remorseful, not only refused to beg pardon for her fault, but shattered every brittle article in the room to which she was confined for her contumacy. The vicar, on being consulted, recommended that she should be well whipped. This counsel was repugnant to Hardy McQuinch, but he gave his wife leave to use her discretion in the matter. The mother thought that the child ought to be beaten into submission; but she was afraid to undertake the task, and only uttered a threat, which was received with stubborn defiance. This was forgotten next day when Elinor, exhausted by a week of remorse, terror, rage, and suspense, became dangerously ill. When she recovered, her parents were more indulgent to her, and were gratified by finding her former passionate resistance replaced by sulky obedience. Five years elapsed, and Elinor began to write fiction. The beginning of a novel, and many incoherent verses imitated from Lara, were discovered by her mother, and burnt by her father. This outrage she never forgave. She was unable to make her resentment felt, for she no longer cared to break glass and china. She feared even to remonstrate lest she should humiliate herself by bursting into tears, as, since her illness, she had been prone to do in the least agitation. So she kept silence, and ceased to speak to either of her parents