Adventure stories; Greece -- Fiction; Islands -- Fiction; Love stories
Then Crispin met Eunice, and all his heart went out to this dainty,
dark-haired girl, who spoke so seldom, but whose eyes and gestures were
so eloquent. “The Fairy of Midnight,” he called her, and often wondered
how such a woman as Mrs. Dengelton ever came to have so silent and
lovely a daughter. To Crispin, steeped in the lore of the East, she was
like a Peri, and her love inspired him with wondrous love poems, some of
which appeared in _The Nineteenth Century_ and _The Fortnightly Review_.
Whether he told her who he was is doubtful—if he did, Eunice never
betrayed his confidence, for she was a woman who could keep a secret,
which was a miracle, seeing her mother was such a gossip. They loved and
suffered in silence with such discretion, that even keen-eyed Mrs.
Dengelton did not guess the understanding which existed between them,
and was hard at work trying to arrange a marriage with Maurice, quite
unaware that her meek daughter had made up her mind to marry no one but
this mysterious Crispin.
Sitting at the piano, Crispin was playing a wild Eastern air with the
soft pedal down, and looking at Eunice, whose eyes responded eloquently
to his glances. Neither of them paid much attention to the chatter of
The Parrot, who was quite ignorant of the love-making going on under her
nose, for both Eunice and Crispin had arrived at the stage of complete
union of souls which renders words superfluous while eyes can talk.
Mrs. Dengelton was doing a parrot in beadwork for a screen, and the
gaudy bird might have passed for her portrait, so like her did it seem.
Luckily, the beadwork parrot could not talk, but its creator could, and
did, with as few pauses as possible.
“As I was saying, my dear Eunice, there is something very strange about
this silence of my dear nephew. I’ve no doubt it is smoking too much,—so
many young men smoke in that dreadful place, Bloomsbury, where he
lived,—or perhaps he feels a little out of society after living so long
away from it. Oh, I know Bloomsbury! yes! I sometimes visit the poor
there. How strange I never came across poor dear Maurice! He is so sadly
altered, not gay like he used to be. I do not really think he knows how
to laugh, and”—
At this moment, as if to give the lie to Mrs. Dengelton’s assertion, her
nephew entered the room, laughing, in company with the Rector; but the
good lady did not know that she was the cause of this hilarity, and at
once began to deluge the new-comers with the fountain of her small talk.
“Now, my dear Rector and my dear Maurice, what are you laughing at? Is
it some amusing joke? Oh, I am sure it is! Eunice, Mr. Crispin, we are
going to be told something funny”—
“But really, my dear lady,” began the Rector, with uplifted hand, “I”—
“Now you need not tell me it is not funny, because it has made Maurice
laugh, and he has been as grave as a judge since we came down. I was
just saying to Eunice when you came in”—
Public-domain text, read in full here on John Shaqi.
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