England -- Social life and customs -- Fiction; London (England) -- Fiction; Upper class -- England -- Fiction
The face of Shelton's friend beyond, composed, satirical as ever, was
clothed with a mask of scornful curiosity, as if he had been listening
to something that had displeased him not a little. The goggle-eyed man
was yawning. Shelton turned to Halidome:
“Can you stand this sort of thing?” said he.
“No; I call that scene a bit too hot,” replied his friend.
Shelton wriggled; he had meant to say it was not hot enough.
“I'll bet you anything,” he said, “I know what's going to happen now.
You'll have that old ass--what's his name?--lunching off cutlets and
champagne to fortify himself--for a lecture to the wife. He'll show her
how unhealthy her feelings are--I know him--and he'll take her hand
and say, 'Dear lady, is there anything in this poor world but the good
opinion of Society?' and he'll pretend to laugh at himself for saying
it; but you'll see perfectly well that the old woman means it. And then
he'll put her into a set of circumstances that are n't her own but his
version of them, and show her the only way of salvation is to kiss her
husband”; and Shelton grinned. “Anyway, I'll bet you anything he takes
her hand and says, 'Dear lady.'.
Halidome turned on him the disapproval of his eyes, and again he said,
“I think Pirbright 's ripping!”
But as Shelton had predicted, so it turned out, amidst great applause.
CHAPTER V
THE GOOD CITIZEN
Leaving the theatre, they paused a moment in the hall to don their
coats; a stream of people with spotless bosoms eddied round the doors,
as if in momentary dread of leaving this hothouse of false morals and
emotions for the wet, gusty streets, where human plants thrive and die,
human weeds flourish and fade under the fresh, impartial skies. The
lights revealed innumerable solemn faces, gleamed innumerably on
jewels, on the silk of hats, then passed to whiten a pavement wet with
newly-fallen rain, to flare on horses, on the visages of cabmen, and
stray, queer objects that do not bear the light.
“Shall we walk?” asked Halidome.
“Has it ever struck you,” answered Shelton, “that in a play nowadays
there's always a 'Chorus of Scandalmongers' which seems to have acquired
the attitude of God?”
Halidome cleared his throat, and there was something portentous in the
sound.
“You're so d---d fastidious,” was his answer.
“I've a prejudice for keeping the two things separate,” went on Shelton.
“That ending makes me sick.”
“Why?” replied Halidome. “What other end is possible? You don't want a
play to leave you with a bad taste in your mouth.”
“But this does.”
Halidome increased his stride, already much too long; for in his walk,
as in all other phases of his life, he found it necessary to be in
front.
“How do you mean?” he asked urbanely; “it's better than the woman making
a fool of herself.”
“I'm thinking of the man.”
“What man?”
“The husband.”
“What 's the matter with him? He was a bit of a bounder, certainly.”
“I can't understand any man wanting to live with a woman who doesn't
want him.”
Public-domain text, read in full here on John Shaqi.
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