England -- Social life and customs -- Fiction; London (England) -- Fiction; Upper class -- England -- Fiction
Mr. Paramor waited, biting his pencil; a smile flickered on his mouth,
and was decorously subdued. It was Shelton's turn to walk about.
“If she marries again,” he repeated to himself.
Mr. Paramor was a keen fisherman; he watched his nephew as he might have
watched a fish he had just landed.
“It's very usual,” he remarked.
Shelton took another turn.
“She forfeits,” thought he; “exactly.”
When he was dead, he would have no other way of seeing that she
continued to belong to him. Exactly!
Mr. Paramor's haunting eyes were fastened on his nephew's face.
“Well, my dear,” they seemed to say, “what 's the matter?”
Exactly! Why should she have his money if she married again? She would
forfeit it. There was comfort in the thought. Shelton came back and
carefully reread the clause, to put the thing on a purely business
basis, and disguise the real significance of what was passing in his
mind.
“If I die and she marries again,” he repeated aloud, “she forfeits.”
What wiser provision for a man passionately in love could possibly have
been devised? His uncle's eye travelled beyond him, humanely turning
from the last despairing wriggles of his fish.
“I don't want to tie her,” said Shelton suddenly.
The corners of Mr. Paramour's mouth flew up.
“You want the forfeiture out?” he asked.
The blood rushed into Shelton's face; he felt he had been detected in a
piece of sentiment.
“Ye-es,” he stammered.
“Sure?”
“Quite!” The answer was a little sulky.
Her uncle's pencil descended on the clause, and he resumed the reading
of the draft, but Shelton could not follow it; he was too much occupied
in considering exactly why Mr. Paramor had been amused, and to do
this he was obliged to keep his eyes upon him. Those features, just
pleasantly rugged; the springy poise of the figure; the hair neither
straight nor curly, neither short nor long; the haunting look of his
eyes and the humorous look of his mouth; his clothes neither shabby nor
dandified; his serviceable, fine hands; above all, the equability of
the hovering blue pencil, conveyed the impression of a perfect balance
between heart and head, sensibility and reason, theory and its opposite.
“'During coverture,'. quoted Mr. Paramor, pausing again, “you
understand, of course, if you don't get on, and separate, she goes on
taking?”
If they didn't get on! Shelton smiled. Mr. Paramor did not smile, and
again Shelton had the sense of having knocked up against something
poised but firm. He remarked irritably:
“If we 're not living together, all the more reason for her having it.”
This time his uncle smiled. It was difficult for Shelton to feel angry
at that ironic merriment, with its sudden ending; it was too impersonal
to irritate: it was too concerned with human nature.
“If--hum--it came to the other thing,” said Mr. Paramor, “the
settlement's at an end as far as she 's concerned. We 're bound to look
at every case, you know, old boy.”
Public-domain text, read in full here on John Shaqi.
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