A somewhat similar catastrophe happened just about a hundred years later
on the other side of the island. In 1878 the _Eurydice_ was passing
along by the Undercliff under full sail. She was a training-ship, full
of young lads, and the strong wind which could be felt in all its fury
on the Downs above hardly touched her in the shelter below. Owing to
some dreadful carelessness, however, she turned the corner still under
canvas, was caught suddenly by a frightful squall, and thrown on her
beam-ends. She never recovered, but went down straight in an awful
tempest of sleet and snow which added to the horror and confusion. Of
all the promising boys on board only three were picked up by a passing
boat, and two alone survived.
St. Catherine's lighthouse stands not far from here, on the most
southerly point of the island; its flashlight, said to be the most
powerful in the world, throws a beam equal to 15,000,000 candles, and
warns ships afar off of the dangerous coast. It is peculiarly
appropriate that there should be a lighthouse here, for, so long ago as
1323, Walter de Goelyton built a chapel on Chale Down dedicated to St.
Catherine, assigning certain rents to a chantry priest to say mass, and
also to provide lights for "the safety of such vessels as chanced to
come on that dangerous coast during the night." At the Dissolution the
whole income was seized by the Crown.
[Illustration: GODSHILL. _Page 58._
Is one of the prettiest villages in the island.]
CHAPTER V
THE SCENERY AND HOW IT CAME TO BE
So curious and diversified is the geology of the island that it has been
described as a microcosm of geology, for it contains in itself every
kind of stratified rock. This geological variety shows itself markedly
in the scenery; in fact, there are few places where the influence of
geology on scenery can be so well studied. For instance, at Alum Bay,
near the Needles, the whole of the strata from the chalk to the
fluvio-marine formation are displayed in unbroken succession. The
colours in these cliffs are wonderfully striking, ranging from gamboge
and terra-cotta through ochres and red-browns, so that the whole is like
shot silk seen in certain states of sunlight. As many people come to see
the Alum Bay cliffs as the better-known Needles. The effect of the two
together is most wonderful, because the coloured cliffs contrasting with
the chalky white sharp-toothed crags and the brilliant blue of a summer
sea are gorgeous in the extreme.
Public-domain text, read in full here on John Shaqi.
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