There was a very beautiful Madeleine and there was a young fisher named
Hubert, who loved her; but he was inveigled by the witches, and charmed
into aversion to her. The heroine in despair, with a cross in her hand,
incurred the perils of storm and billows to save him from these spells,
and as a memento of her happy success, there is the _Point du Pas_, the
“footstep of the virgin,” to this day.
Then there is another large rock, once a stumbling-block of contention
between St. Magloire and the Druids. The priests engaged the Devil to
roll a block from the shore to proselyte the people; but when they tried
to roll it back again, St. Magloire laid his holy book on it and it was
immovable; he then set the cross on the rock, and the demon fled, the
Druids succumbed, and the immortal safety of the people was insured.
And these rocks may be discovered if one will, and pebbles and shells
may be gathered, and we may bathe at the favourite dipping-place of
_Portague_, or we may ramble to the nice little church of Grouville,
dated 1312.
[Illustration: LA TOUR D'AUVERGNE]
But we must not overlook the bit of antiquity about midway between
Gourey and St. Helier’s—the Prince’s Tower, _La Tour d’Auvergne_, or
_La Hogue bie_—Hogue, mound, or monument—that crowns a mount on the
most elevated brow in the islet. It was built on the site of an ancient
chapel, on the model of the Sepulchre at Jerusalem, and was enlarged by
Mabon, Dean of Jersey, about 1750, who, it is said, worked miracles
under the Virgin. One of its lords was the Prince de Bouillon, an
English admiral; but the legend of De Hambie, as deep as it is obscure,
is the illustrative charm of La Hogue. This is the tale in brief:—The
servant of this De Hambie murdered his master and married the widow,
who, stung by remorse, erected this tower, visible from her _chateau_ at
Coutances, to the memory of her dishonoured lord. Another record refers
the death of De Hambie to the poisonous breath of a dragon which he
slew; but as even the Livre Noir of Coutances leaves the matter
undecided, we presume not to fathom the secret.
A blind boy is our guide, who from habit points out correctly the very
richly-wooded panorama from the summit. The islet resembles one expanded
grove, spire and turret peeping up just where the imagination of a
consummate artist would have placed it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account