Adventure stories; Fantasy fiction, English; Quatermain, Allan (Fictitious character) -- Fiction
Then I congratulated her upon her approaching marriage, saying what a
joyful thing it was now and again to see everything going in real,
happy, storybook fashion: beauty, male and female, united by love, high
rank, wealth, troops of friends, health of body, a lovely and an
ancient home in a settled land where dangers do not come—at
present—respect and affection of crowds of dependents, the prospect of
a high and useful career of a sort whereof the door is shut to most
people, everything in short that human beings who are not actually
royalty could desire or deserve. Indeed after my second glass of
champagne I grew quite eloquent on these and kindred points, being
moved thereto by memories of the misery that is in the world which
formed so great a contrast to the lot of this striking and brilliant
pair.
She listened to me attentively and answered:
“Thank you for your kind thoughts and wishes. But does it not strike
you, Mr. Quatermain, that there is something ill-omened in such talk? I
believe that it does; that as you finished speaking it occurred to you
that after all the future is as much veiled from all of us as—as the
picture which hangs behind its curtain of rose-coloured silk in Lord
Ragnall’s study is from you.”
“How did you know that?” I asked sharply in a low voice. For by the
strangest of coincidences, as I concluded my somewhat old-fashioned
little speech of compliments, this very reflection had entered my mind,
and with it the memory of the veiled picture which Mr. Savage had
pointed out to me on the previous morning.
“I can’t say, Mr. Quatermain, but I did know it. You were thinking of
the picture, were you not?”
“And if I was,” I said, avoiding a direct reply, “what of it? Though it
is hidden from everybody else, he has only to draw the curtain and
see—you.”
“Supposing he should draw the curtain one day and see nothing, Mr.
Quatermain?”
“Then the picture would have been stolen, that is all, and he would
have to search for it till he found it again, which doubtless sooner or
later he would do.”
“Yes, sooner or later. But where? Perhaps you have lost a picture or
two in your time, Mr. Quatermain, and are better able to answer the
question than I am.”
There was silence for a few moments, for this talk of lost pictures
brought back memories which choked me.
Then she began to speak again, low, quickly, and with suppressed
passion, but acting wonderfully all the while. Knowing that eyes were
on her, her gestures and the expression of her face were such as might
have been those of any young lady of fashion who was talking of
everyday affairs, such as dancing, or flowers, or jewels. She smiled
and even laughed occasionally. She played with the golden salt-cellar
in front of her and, upsetting a little of the salt, threw it over her
left shoulder, appearing to ask me if I were a victim of that ancient
habit, and so on.
Public-domain text, read in full here on John Shaqi.
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