'Let me look.' Mr. Dering took the paper and examined it. His eyes
hardened as he looked. 'You call this my handwriting, Checkley?'
'I--I--I did think it was,' the clerk stammered. 'Let me look again. And
I think so still,' he added more firmly.
'Then you're a fool. Look again. When did I ever sign like that?'
Mr. Dering's handwriting was one of those which are impossible to be
read by any except his own clerks, and then only when they know what to
expect. Thus, when he drew up instructions in lawyer language, he
expressed the important words by an initial, a medial, or a final
consonant, and made scratches for all the words between; his clerks,
however, understood him very well. If he had written a love letter, or a
farce, or a _ballade_, or a story, no one, either clerks, or friends, or
compositors, would have understood anything but a word here and a word
there. For his signature, however, that was different. It was the
signature of the Firm: it was a signature a hundred and twenty years
old: it was an eighteenth-century signature: bold, large, and clear,
every letter fully formed: with dots and flourishes, the last letter
concluding with a fantasia of penmanship belonging to a time when men
knew how to write, belonging to the decorative time of penmanship.
'Two of the dots are out of place,' said Checkley, 'and the flourish
isn't quite what it should be. But the cheque itself looks like your
hand,' he added stoutly. 'I ought to have seen that there was something
wrong about the signature, though it isn't much. I own to that. But the
writing is like yours, and I would swear to it still.'
'It isn't my handwriting at all, then. Where is the counterfoil?'
Checkley turned over the counterfoils. 'What is the date?' he asked.
'March the 4th? I can't find it. Here are cheques for the 3rd and for
the 6th, but none at all for the 4th.'
'Let me look.' Strange! There was no counterfoil. And the numbers did
not agree with that on the cheque.
'You haven't got another cheque book, have you?'
'No; I certainly have not.'
Mr. Dering sat with the cheque in his hand, looking at it. Then he
compared it with a blank cheque. 'Why,' he said, 'this cheque is drawn
from an old book--two years old--one of the books before the bank
amalgamated and changed its title and the form of the cheques--not much
of a change, it is true--but--how could we be such fools, Checkley, as
not to see the difference?'
'Then somebody or other must have got hold of an old cheque book.
Shameful! To have cheque books lying about for every common rogue to go
and steal!'
Public-domain text, read in full here on John Shaqi.
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