The Japanese New Year's Festival, Games and PastimesGunsaulus, Helen Cowen
History
The Japanese New Year's Festival, Games and Pastimes
Gunsaulus, Helen Cowen
Games -- Japan; Japan -- Social life and customs; New Year
The
Japanese New Year’s Festival,
Games and Pastimes
BY
HELEN C. GUNSAULUS
Assistant Curator of Japanese Ethnology
FIELD MUSEUM OF NATURAL HISTORY
CHICAGO
1923
Field Museum of Natural History
Department of Anthropology
Chicago, 1923
Leaflet Number 11
The Japanese New Year’s Festival,
Games and Pastimes
The Japanese prints with which we are most familiar in this country
are those known as _nishikiye_, literally “brocade picture.” Generally
speaking, they are portraits of actors and famous beauties or
landscapes and nature studies. There are, however, other woodcuts known
as _surimono_, “things printed,” whose subjects are characters known in
history and folklore, household gods, incidents in the daily life of
the people and the celebration of certain festivals, particularly that
of the New Year. From a careful study of these prints we may become
acquainted with many of the most distinctive customs of Japan.
Though produced by the same process as that used for the _nishikiye_,
_surimono_ may be easily distinguished from the former. In addition
to the series of wood blocks used to print the outline and colors of
the design, _surimono_ are often enriched by the application of metal
dusts and embossing. The decorative motive is usually interpreted or
accompanied by a poem or series of poems written in the picture. These
prints were not made for sale but were exchanged as gifts among poets
and artists on certain occasions, such as feasts, birthdays, theatrical
or literary meetings, and especially as cards of greeting presented at
the opening of the New Year. The _surimono_ in the collection in
Field Museum of Natural History were selected primarily with the view
of illustrating the customs and mode of living of the people of Japan
rather than of assembling together pictures which would be enjoyed for
their aesthetic appeal. While these prints are of an artistic nature,
they are valuable to an institution of this kind as approaches to the
study of the ethnology of Japan. The Museum is in possession of a
collection of three hundred and sixty prints which has been divided
into four groups, in the first of which the New Year’s festival and
certain games and pastimes are pictured to a considerable degree. This
selection is hung each year in Gunsaulus Hall (Room 30, Second Floor)
from January 1st to April 1st, when it is succeeded by another group.
THE NEW YEAR’S FESTIVAL
Public-domain text, read in full here on John Shaqi.
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