The Japanese New Year's Festival, Games and PastimesGunsaulus, Helen Cowen
History
The Japanese New Year's Festival, Games and Pastimes
Gunsaulus, Helen Cowen
Games -- Japan; Japan -- Social life and customs; New Year
The origin of the use of _shimenawa_ on New Year’s day may be traced
back to mythological times when the Sun Goddess, Amaterasu, was
tempted forth from the cave into which, through fear of her brother,
she had retired. In order to entice her from her hiding place, all
the gods assembled together and, bringing with them a dancer, made
such a commotion that the “heavenly ancestor of the emperor” peeped
out. Her face was reflected in a mirror which they had hung upon a
tree. Never before had she gazed upon her own beauty, and thinking
it the countenance of a rival, she stepped forth. She was prevented
from returning by a fellow deity who stretched a straw rope across the
opening of her retreat. During her retirement all the earth had been
in darkness. As she emerged, the warm light of the sun spread over the
world and joy returned to the people.
A survival of the belief in this legend is to be seen to this day
at a certain spot on the shore of Owari Bay. There, at Futami, two
tower-like rocks, known at the “Husband and Wife Rocks” (Myōto-seki)
jut out of the waves close to the beach. They are joined together by a
straw rope which some say represents the bond of conjugal union. Others
see in it a hindrance against the entrance of the Plague God. However,
these rocks are popularly thought to represent the cave into which the
Sun Goddess retired. On this account many people journey to Myōto-seki
before dawn on New Year’s day, in order to see the first rays of the
sun emerge on the horizon between these two rocks, thereby witnessing
the re-appearance of the Sun Goddess who is restrained by the
_shimenawa_ from re-entering her retreat.
Public-domain text, read in full here on John Shaqi.
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