The self-control that enables us not to betray our inner feeling through a change in our expression, the measured steps with which we are taught to walk into the hideous jaws of death--in short, all those qualities which make a present Japanese of truly Japanese type look strange, if not queer, to your eyes, are in a most marked degree a product of that direct or indirect influence on our past mentality which was exercised by the Buddhist doctrine of Dhyâna taught by the Zen priests. Another benefit which the Zen sect conferred on us is the healthy influence it exercised on our taste. The love of nature and the desire of purity that we had shown from the earliest days of our history, took, under the leading idea of the Contemplative sect, a new development, and began to show that serene dislike of loudness of form and colour. That apparent simplicity with a fulness of meaning behind it, like a Dhyâna symbol itself, which we find so pervadingly manifested in our works of art, especially in those of the Ashikaga period (1400-1600 A.D.), is certainly to be counted among the most valuable results which the Zen doctrine quickened us to produce. In short, so far-reaching is the influence of the Contemplative sect on the formation of the Japanese spirit as you find it at present, that an adequate interpretation of its manifestations would be out of the question unless based on a careful study of this branch of Buddhism. So long as the Zen sect is not duly considered, the whole set of phenomena peculiar to Japan--from the all-pervading laconism to the hara-kiri--will remain a sealed book. This fact is my excuse for having detained you for so long on the subject. I now pass on to the consideration of our own native cult.