Cantors (Judaism) -- Drama; Fathers and sons -- Drama; Jewish families -- Drama; Jewish singers -- Drama; New York (N.Y.) -- Drama
[_There is a deepening cloud on his face as he moves away from_ MARY.
_He has almost forgotten the excitement of the dress rehearsal._ LEE
_and_ FRANKLYN FORBES _enter briskly._ FORBES _is snappily dressed,
about 30. The two of them bring back the speed and exuberance of the
theatre._]
LEE
Here they are! Jack, you know Franklyn Forbes, our publicity man?
JACK
How are you, Mr. Forbes?
LEE
Franklyn wants to do a story on you in a hurry.
FORBES
First of all, I want to get the story of your life.
JACK
[_Turns upon them in a curious mood—sardonic and humble, flippant and
bitter_]. Say I was born when I was very young. When I was a year old I
sold newspapers. By the time I was two I owned the stand.
LEE
Come on, Jack. Franklyn’s in a hurry.
FORBES
Stop your kidding, Mr. Robin. I can get some real stuff into the papers
about the way you put over a jazz song.
JACK
What has the story of my life got to do with the way I put over a jazz
song?
MARY
Everything, Jack. If it’s the right kind of a story. [_To_ LEE.] You
know how Jack puts over a song. That intensity of his. Something like
the intensity of Billy Sunday. It’s a new note.
FORBES
Yes, and if I can weave a colorful life story behind it—based just a
little on fact—
JACK
All right. I’ll tell you. Say that every morning at eight o’clock I
take a bath in certified milk.
LEE
Don’t waste any time kidding, Jack. Give Franklyn a general outline of
your life—where you were born, your parents, and so on.
JACK
I—I’m sorry, Mr. Lee, but I’m kinda sensitive about my childhood. Not
that I’ve been in jail or anything like that. But why doesn’t Mr.
Forbes fake a story—I don’t care what he says—it’ll be O. K. with me.
FORBES
Fine! I think I’ll have the usual East Side back-ground—hanging around
with the gang—singing waiter in a Bowery dive—pious old father—
JACK
I—I don’t think that East Side stuff is so good.
FORBES
I do. It always makes fine human interest material.
JACK
[_Obstinately_]. Well, I don’t think so.
LEE
We can’t waste any more time on this. Write anything you want to,
Franklyn.
JACK
Now, please.... I don’t want you to think I am swell-headed.... I
appreciate the fact that you are all trying to help me. But look—isn’t
there enough in that Chicago stuff without going back to my cradle days?
LEE
Public-domain text, read in full here on John Shaqi.
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