Cantors (Judaism) -- Drama; Fathers and sons -- Drama; Jewish families -- Drama; Jewish singers -- Drama; New York (N.Y.) -- Drama
Yeh, like a nanny goat! Nu, what can I do? I’ll explain to your mama
the best way I can.
JACK
Yes, try to explain to them, Yudelson.
YUDELSON
You’re sure you can’t come?
JACK
[_With feeling_]. You wouldn’t have to ask me twice. You know I’d come
if I could.
YUDELSON
[_Shrugs shoulders_]. All right, Jakie. Well, goodbye. Leshono Tovo
Tikosamu.
JACK
Thank you. Happy New Year to you, too.
YUDELSON
Look! He remembers! [_He goes._]
GENE
[_Off-stage_]. Dress rehearsal just starting. Everybody concerned in
the opening on stage!
[_From off-stage come the bustling sounds of final preparations for
the dress rehearsal._ JACK _is standing motionless where_ YUDELSON
_left him. A brown velvet drop comes down._ JACK _is the figure of
a tragic Pierrot as he stands against this simple background in his
ludicrously wide comedy pants and his ludicrously short comedy coat....
He turns ... finds himself sitting on the trunk alone, heavy-hearted._
LEE _comes bustling in. He goes over to table, not seeing_ JACK. _He
is busy with a manuscript for a few seconds, then he feels_ JACK’s
_presence; looks up._]
LEE
Well, Jack, that old boy from the East Side has gone, eh?
JACK
[_Barely raising his head_]. Yes, he’s gone.
LEE
[_Goes over to_ JACK]. Talked him out of it, did you?
JACK
[_Slowly_]. Yes, I talked him out of it.
LEE
I knew you could do it! You’re clever enough to get away with
anything.... Just think of it, one more rehearsal and then the big
opening. Aren’t you thrilled? Tomorrow everybody will be talking about
you.
JACK
[_To himself, in barely audible tones_]. This is the first time in his
life he won’t be able to sing in the synagogue....
LEE
What’s that, Jack?
JACK
[_He rises, with a visible effort to shake himself out of his mood. He
turns to_ LEE _and begins walking off with the manager_]. Oh, yes, Mr.
Lee. I’ll do the best I can tonight—I only hope I won’t disappoint you.
[_The words are scarcely out of_ JACK’s _mouth when music is heard
blaring off-stage, and the lights black out._]
CURTAIN
SCENE 2
Scene 2: JACK’s _dressing room a few minutes later._ JACK _enters
looking very unhappy. Automatically he glances at himself in the
mirror, takes off his tie, his coat, his trousers, revealing another
pair underneath. Then he sits down before the mirror. There is a knock
at the door._
JACK
Come in.
Public-domain text, read in full here on John Shaqi.
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