France -- Social life and customs -- 19th century -- Fiction
These reflections explain why provincial life is so firmly based on
marriage. Thus we find that ardent and vigorous genius, forced to rely
on the independence of its own poverty, quits these cold regions where
thought is persecuted by brutal indifference, where no woman is
willing to be a sister of charity to a man of talent, of art, of
science.
Who will really understand Athanase Granson's love for Mademoiselle
Cormon? Certainly neither rich men--those sultans of society who fill
their harems--nor middle-class men, who follow the well-beaten
high-road of prejudices; nor women who, not choosing to understand the
passions of artists, impose the yoke of their virtues upon men of
genius, imagining that the two sexes are governed by the same laws.
Here, perhaps, we should appeal to those young men who suffer from the
repression of their first desires at the moment when all their forces
are developing; to artists sick of their own genius smothering under
the pressure of poverty; to men of talent, persecuted and without
influence, often without friends at the start, who have ended by
triumphing over that double anguish, equally agonizing, of soul and
body. Such men will well understand the lancinating pains of the
cancer which was now consuming Athanase; they have gone through those
long and bitter deliberations made in presence of some grandiose
purpose they had not the means to carry out; they have endured those
secret miscarriages in which the fructifying seed of genius falls on
arid soil. Such men know that the grandeur of desires is in proportion
to the height and breadth of the imagination. The higher they spring,
the lower they fall; and how can it be that ties and bonds should not
be broken by such a fall? Their piercing eye has seen--as did Athanase
--the brilliant future which awaited them, and from which they fancied
that only a thin gauze parted them; but that gauze through which their
eyes could see is changed by Society into a wall of iron. Impelled by
a vocation, by a sentiment of art, they endeavor again and again to
live by sentiments which society as incessantly materializes. Alas!
the provinces calculate and arrange marriage with the one view of
material comfort, and a poor artist or man of science is forbidden to
double its purpose and make it the saviour of his genius by securing
to him the means of subsistence!
Moved by such ideas, Athanase Granson first thought of marriage with
Mademoiselle Cormon as a means of obtaining a livelihood which would
be permanent. Thence he could rise to fame, and make his mother happy,
knowing at the same time that he was capable of faithfully loving his
wife. But soon his own will created, although he did not know it, a
genuine passion. He began to study the old maid, and, by dint of the
charm which habit gives, he ended by seeing only her beauties and
ignoring her defects.
Public-domain text, read in full here on John Shaqi.
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