France -- Social life and customs -- 19th century -- Fiction
The chevalier had repudiated the ridiculous costume still preserved by
certain monarchical old men; he had frankly modernized himself. He was
always seen in a maroon-colored coat with gilt buttons, half-tight
breeches of poult-de-soie with gold buckles, a white waistcoat without
embroidery, and a tight cravat showing no shirt-collar,--a last
vestige of the old French costume which he did not renounce, perhaps,
because it enabled him to show a neck like that of the sleekest abbe.
His shoes were noticeable for their square buckles, a style of which
the present generation has no knowledge; these buckles were fastened
to a square of polished black leather. The chevalier allowed two
watch-chains to hang parallel to each other from each of his waistcoat
pockets,--another vestige of the eighteenth century, which the
Incroyables had not disdained to use under the Directory. This
transition costume, uniting as it did two centuries, was worn by the
chevalier with the high-bred grace of an old French marquis, the
secret of which is lost to France since the day when Fleury, Mole's
last pupil, vanished.
The private life of this old bachelor was apparently open to all eyes,
though in fact it was quite mysterious. He lived in a lodging that was
modest, to say the best of it, in the rue du Cours, on the second
floor of a house belonging to Madame Lardot, the best and busiest
washerwoman in the town. This circumstance will explain the excessive
nicety of his linen. Ill-luck would have it that the day came when
Alencon was guilty of believing that the chevalier had not always
comported himself as a gentleman should, and that in fact he was
secretly married in his old age to a certain Cesarine,--the mother of
a child which had had the impertinence to come into the world without
being called for.
"He had given his hand," as a certain Monsieur du Bousquier remarked,
"to the person who had long had him under irons."
This horrible calumny embittered the last days of the dainty chevalier
all the more because, as the present Scene will show, he had lost a
hope long cherished to which he had made many sacrifices.
Public-domain text, read in full here on John Shaqi.
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