France -- Social life and customs -- 19th century -- Fiction
"I know what brings you," replied the saintly man. "I must trust to
you, madame, and to your relation, Madame du Bousquier, to pacify
Monseigneur the Bishop at Seez. Yes, I will pray for your unhappy
child; yes, I will say the masses. But we must avoid all scandal, and
give no opportunity for evil-judging persons to assemble in the
church. I alone, without other clergy, at night--"
"Yes, yes, as you think best; if only he may lie in consecrated
ground," said the poor mother, taking the priest's hand and kissing
it.
Toward midnight a coffin was clandestinely borne to the parish church
by four young men, comrades whom Athanase had liked the best. A few
friends of Madame Granson, women dressed in black, and veiled, were
present; and half a dozen other young men who had been somewhat
intimate with this lost genius. Four torches flickered on the coffin,
which was covered with crape. The rector, assisted by one discreet
choirboy, said the mortuary mass. Then the body of the suicide was
noiselessly carried to a corner of the cemetery, where a black wooden
cross, without inscription, was all that indicated its place hereafter
to the mother. Athanase lived and died in shadow. No voice was raised
to blame the rector; the bishop kept silence. The piety of the mother
redeemed the impiety of the son's last act.
Some months later, the poor woman, half beside herself with grief, and
moved by one of those inexplicable thirsts which misery feels to steep
its lips in the bitter chalice, determined to see the spot where her
son was drowned. Her instinct may have told her that thoughts of his
could be recovered beneath that poplar; perhaps, too, she desired to
see what his eyes had seen for the last time. Some mothers would die
of the sight; others give themselves up to it in saintly adoration.
Patient anatomists of human nature cannot too often enunciate the
truths before which all educations, laws, and philosophical systems
must give way. Let us repeat continually: it is absurd to force
sentiments into one formula: appearing as they do, in each individual
man, they combine with the elements that form his nature and take his
own physiognomy.
Madame Granson, as she stood on that fatal spot, saw a woman approach
it, who exclaimed,--
"Was it here?"
That woman wept as the mother wept. It was Suzanne. Arriving that
morning at the hotel du More, she had been told of the catastrophe. If
poor Athanase had been living, she meant to do as many noble souls,
who are moneyless, dream of doing, and as the rich never think of
doing,--she meant to have sent him several thousand francs, writing up
the envelope the words: "Money due to your father from a comrade who
makes restitution to you." This tender scheme had been arranged by
Suzanne during her journey.
The courtesan caught sight of Madame Granson and moved rapidly away,
whispering as she passed her, "I loved him!"
Public-domain text, read in full here on John Shaqi.
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