France -- Social life and customs -- 19th century -- Fiction
Suzanne, faithful to her nature, did not leave Alencon on this
occasion without changing the orange-blossoms of the bride to rue. She
was the first to declare that Madame du Bousquier would never be
anything but Mademoiselle Cormon. With one stab of her tongue she
revenged poor Athanase and her dear chevalier.
Alencon now witnessed a suicide that was slower and quite differently
pitiful from that of poor Athanase, who was quickly forgotten by
society, which always makes haste to forget its dead. The poor
Chevalier de Valois died in life; his suicide was a daily occurrence
for fourteen years. Three months after the du Bousquier marriage
society remarked, not without astonishment, that the linen of the
chevalier was frayed and rusty, that his hair was irregularly combed
and brushed. With a frowsy head the Chevalier de Valois could no
longer be said to exist! A few of his ivory teeth deserted, though the
keenest observers of human life were unable to discover to what body
they had hitherto belonged, whether to a foreign legion or whether
they were indigenous, vegetable or animal; whether age had pulled them
from the chevalier's mouth, or whether they were left forgotten in the
drawer of his dressing-table. The cravat was crooked, indifferent to
elegance. The negroes' heads grew pale with dust and grease. The
wrinkles of the face were blackened and puckered; the skin became
parchment. The nails, neglected, were often seen, alas! with a black
velvet edging. The waistcoat was tracked and stained with droppings
which spread upon its surface like autumn leaves. The cotton in the
ears was seldom changed. Sadness reigned upon that brow, and slipped
its yellowing tints into the depths of each furrow. In short, the
ruins, hitherto so cleverly hidden, now showed through the cracks and
crevices of that fine edifice, and proved the power of the soul over
the body; for the fair and dainty man, the cavalier, the young blood,
died when hope deserted him. Until then the nose of the chevalier was
ever delicate and nice; never had a damp black blotch, nor an amber
drop fall from it; but now that nose, smeared with tobacco around the
nostrils, degraded by the driblets which took advantage of the natural
gutter placed between itself and the upper lip,--that nose, which no
longer cared to seem agreeable, revealed the infinite pains which the
chevalier had formerly taken with his person, and made observers
comprehend, by the extent of its degradation, the greatness and
persistence of the man's designs upon Mademoiselle Cormon.
Public-domain text, read in full here on John Shaqi.
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