“Nevertheless, you will permit this lady to enter,” said the young
gentleman. “Come, sir, open the doors without a moment's delay.”
“I cannot act contrary to my orders, sir,” replied the man.
“Nay, Mr. Hanger,” replied the frightened actress, “I wish not to be the
cause of a disturbance. Pray, sir, let me return to my chair.”
“Gentlemen,” cried Mr. Hanger to his friends, “I know that it is not
your will that we should come in active contest with the representatives
of authority; but am I right in assuming that it is your desire that
our honoured friend, Mrs. Baddeley, should enter the Pantheon?” When
the cries of assent came to an end he continued, “Then, sirs, the
responsibility for bloodshed rests with those who oppose us. Swords
to the front! You will touch no man with a point unless he oppose you.
Should a constable assault any of this company you will run him through
without mercy. Now, gentlemen.”
In an instant thirty sword-blades were radiating from the lady, and
in that fashion an advance was made upon the constables, who for a few
moments stood irresolute, but then--the points of a dozen swords were
within a yard of their breasts--lowered their staves and slipped quietly
aside. The porter, finding himself thus deserted, made no attempt to
withstand single-handed an attack converging upon the doors; he hastily
went through the porch, leaving the doors wide apart.
To the sound of roars of laughter and shouts of congratulation from
the thousands who blocked the road, Mrs. Baddeley and her escort
walked through the porch and on to the rotunda beyond, the swords being
sheathed at the entrance.
It seemed as if all the rank and fashion of the town had come to the
rotunda this night. Peeresses were on the raised dais by the score, some
of them laughing, others shaking their heads and doing their best to
look scandalised. Only one matron, however, felt it imperative to leave
the assembly and to take her daughters with her. She was a lady whose
first husband had divorced her, and her daughters were excessively
plain, in spite of their masks of paint and powder.
The Duchess of Argyll stood in the centre of the dais by the side of
her daughter, Lady Betty Hamilton, her figure as graceful as it had been
twenty years before, when she and her sister Maria, who became Countess
of Coventry, could not walk down the Mall unless under the protection of
a body of soldiers, so closely were they pressed by the fashionable mob
anxious to catch a glimpse of the beautiful Miss Gunnings. She had
no touch of carmine or powder to obscure the transparency of her
complexion, and her wonderful long eyelashes needed no darkening to add
to their silken effect. Her neck and shoulders were white, not with the
cold whiteness of snow, but with the pearl-like charm of the white rose.
The solid roundness of her arms, and the grace of every movement that
she made with them, added to the delight of those who looked upon that
lovely woman.
Public-domain text, read in full here on John Shaqi.
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