But, fond though he was of Mrs. Bun-bury, her sister Mary, his “Jessamy
Bride,” drew him to her by a deeper and warmer affection. He had felt
from the first hour of meeting her that she understood his nature--that
in her he had at last found some one who could give him the sympathy
which he sought. More than once she had proved to him that she
recognised the greatness of his nature--his simplicity, his generosity,
the tenderness of his heart for all things that suffered, his
trustfulness, that caused him to be so frequently imposed upon, his
intolerance of hypocrisy and false sentiment, though false sentiment was
the note of the most successful productions of the day. Above all,
he felt that she recognised his true attitude in relation to English
literature. If he was compelled to work in uncongenial channels in order
to earn his daily bread, he himself never forgot what he owed to English
literature. How nobly he discharged this debt his “Traveller,” “The
Vicar of Wakefield,” “The Deserted Village,” and “The Good Natured
Man” testified at intervals. He felt that he was the truest poet, the
sincerest dramatist, of the period, and he never allowed the work which
he was compelled to do for the booksellers to turn him aside from his
high aims.
It was because Mary Horneck proved to him daily that she understood
what his aims were he regarded her as different from all the rest of
the world. She did not talk to him of sympathising with him, but she
understood him and sympathised with him.
As he lay back in his chair now asking himself what he should think of
her, he recalled every day that he had passed in her company, from the
time of their first meeting at Reynolds's house until he had accompanied
her and her mother and sister on the tour through France. He remembered
how, the previous year, she had stirred his heart on returning from a
long visit to her native Devonshire by a clasp of the hand and a look
of gratitude, as she spoke the name of the book which he had sent to her
with a letter. “The Vicar of Wakefield” was the book, and she had said--
“You can never, never know what it has been to me--what it has done
for me.” Her eyes had at that time been full of tears of gratitude--of
affection, and the sound of her voice and the sight of her liquid eyes
had overcome him. He knew there was a bond between them that would not
be easily severed.
[Illustration: 0105]
But there were no tears in her eyes as she spoke the words of Olivia's
song.
What was he to think of her?
One moment she had been overflowing with girlish merriment, and then,
on glancing across the hall, her face had become pale and her mood had
changed from one of merriment to one of despair--the despair of a bird
that finds itself in the net of the fowler.
What was he to think of her?
He would not wrong her by a single thought. He thought no longer of
her, but of the man whose sudden appearance before her eyes had, he felt
certain, brought about her change of mood.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account