The members of the company were somewhat startled by the tone adopted by
the man who had previously been anything but fluent in his speech, and
who had submitted with patience to the sneers of the manager. They now
began to perceive something of the character of the man whose life had
been a fierce struggle with adversity, but who even in his wretched
garret knew what was due to himself and to his art, and did not hesitate
to kick downstairs the emissary from the government that offered him
employment as a libeller.
“Sir,” cried the impulsive Mrs. Bulkley, putting out her hand to
him--“Sir, you are not only a genius, you are a man as well, and it will
not be my fault if this comedy of yours does not turn out a success.
You have been badly treated, Dr. Goldsmith, and you have borne your
ill-treatment nobly. For myself, sir, I say that I shall be proud to
appear in your piece.”
“Madam,” said Goldsmith, “you overwhelm me with your kindness. As for
ill-treatment, I have nothing to complain of so far as the ladies and
gentlemen of the company are concerned, and any one who ventures to
assert that I bear ill-will toward Mr. Woodward and Mrs. Abington I
shall regard as having put an affront upon me. Before a fortnight has
passed I know that they will be overcome by chagrin at their rejection
of the opportunity that was offered them of being associated with the
success of this play, for it will be a success, in spite of the untoward
circumstances incidental to its birth.”
He bowed several times around the company, and he did it so awkwardly
that he immediately gained the sympathy and good-will of all the actors:
they reflected how much better they could do it, and that, of course,
caused them to feel well disposed towards Goldsmith.
“You mean to give the comedy another name, sir, I think,” said Shuter,
who was cast for the part of Old Hardcastle.
“You may be sure that a name will be forthcoming,” said Goldsmith.
“Lord, sir, I am too good a Christian not to know that if an accident
was to happen to my bantling before it is christened it would be damned
to a certainty.”
The rehearsal this day was the most promising that had yet taken place.
Col-man did not put in an appearance, consequently the disheartening
influence of his presence was not felt. The broadly comical scenes were
acted with some spirit, and though it was quite apparent to Goldsmith
that none of the company believed that the play would be a success, yet
the members did not work, as they had worked hitherto, on the assumption
that its failure was inevitable.
On the whole, he left the theatre with a lighter heart than he had had
since the first rehearsal. It was not until he returned to his chambers
to dress for the evening that he recollected he had not yet arrived at
a wholly satisfactory solution of the question which had kept him awake
during the greater part of the night.
Public-domain text, read in full here on John Shaqi.
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