Garrick's reading of the imaginary letter, stumbling over certain
words--giving an odd turn and a ludicrous misreading to a phrase here
and there, and finally his turning over the letter and mumbling a
postscript alluding to the length of time that had passed since the
writer had received a payment on account, could not have been surpassed.
The effect of the comedy upon the people in the room was immeasurably
heightened by the entrance of Goldsmith in the flesh, when Garrick,
as the amanuensis, immediately walked to him gravely with the scrap of
paper which had done duty as the letter, in his hand, asking him if what
was written there in black and white about the field-marshal's uniform
was correct, and if he meant to agree to Filby's request to wear it on
the first night of the comedy.
Goldsmith perceived that Garrick was giving an example of the impromptu
entertainment in which he delighted, and at once entered into the spirit
of the scene, saying-“Why, yes, sir; I have come to the conclusion that
more credit should be given to a man who has brought to a successful
issue a campaign against the prejudices and stupidities of the manager
of a playhouse than to the generalissimo of an army in the field, so why
should not I wear a field-marshal's uniform, sir?”
The laugh was against Garrick, which pleased him greatly, for he knew
that Goldsmith would feel that he was sharing in the entertainment,
and would not regard it as a burlesque upon himself personally. In
an instant, however, the actor had ceased to be the supercilious
amanuensis, and became David Garrick, crying--
“Nay, sir, you are out of the play altogether. You are presuming to
reply to the amanuensis, which, I need scarcely tell a gentleman of
your experience, is a preposterous idea, and out of all consistency with
nature.”
Goldsmith had shaken hands with all his friends, and being quite elated
at the success of his reply to the brilliant Garrick, did not mind much
what might follow.
At what did actually follow Goldsmith laughed as heartily as any one in
the room.
Public-domain text, read in full here on John Shaqi.
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