“Yes,” said Burke, “Dr. Goldsmith is, I suppose, the greatest fool that
ever wrote the best poem of a century, the best novel of a century, and
let us hope that, after the lapse of a few hours, I may be able to say
the best comedy of a century.”
“I suppose we may take it for granted that he has gone to the
playhouse?” said Richard Burke.
“It is not wise to take anything for granted so far as Goldsmith is
concerned,” said Steevens. “I think that the best course we can adopt
is for some of us to go to the playhouse without delay. The play must be
looked after; but for myself I mean to look after the author. Gentlemen,
Oliver Goldsmith needs to be looked after carefully. No one knows what a
burden he has been forced to bear during the past month.”
“You think it is actually possible that he has not preceded us to the
playhouse, sir,” said Johnson.
“If I know anything of him, sir,” said Steevens, “the playhouse is just
the place which he would most persistently avoid.” There was a long
pause before Johnson said in his weightiest manner:
“Sir, we are all his friends; we hold you responsible for his safety.”
“That is very kind of you, sir,” replied Steevens. “But you may rest
assured that I will do my best to find him, wherever he may be.”
While the rest of the party set out for Covent Garden Theatre, Steevens
hurried off in the opposite direction. He felt that he understood
Goldsmith's mood. He believed that he would come upon him sitting
alone in some little-frequented coffee house brooding over the probable
failure of his play. The cheerful optimism of the man, which enabled
him to hold out against Colman and his sneers, would, he was convinced,
suffer a relapse when there was no urgent reason for its exercise, and
his naturally sanguine temperament would at this critical hour of his
life give place to a brooding melancholy, making it impossible for him
to put in an appearance at the theatre, and driving him far from his
friends. Steevens actually made up his mind that if he failed to find
Goldsmith during the next hour or two, he would seek him at his cottage
on the Edgware road.
He went on foot from coffee house to coffee house--from Jack's, in Dean
street, to the Old Bell, in Westminster--but he failed to discover his
friend in one of them. An hour and a half he spent in this way; and all
this time roars of laughter from every part of the playhouse--except
the one box that held Cumberland and his friends--were greeting the
brilliant dialogue, the natural characterisation, and the admirably
contrived situations in the best comedy that a century of brilliant
authors had witnessed.
Public-domain text, read in full here on John Shaqi.
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