Adventure stories; Fools and jesters -- Fiction; France -- History -- Medieval period, 987-1515 -- Fiction; Love stories
It came. The lights in the hall were extinguished. The moonlight,
falling through the windows, lay along the floor in a silver pathway.
The tapestries at the further end of the hall swung apart. From between
them, down the moonlight path, ran bare-footed girls silken-robed,
veiled, four phalanxes of colour, pale heliotrope shading to deepest
purple; red to fullest crimson; the green of young beech leaves to the
black green of pine trees; maize-colour toning through orange to tawny
brown. A moment they swayed bowing before the dais, then set themselves
to dance, accompanied by music from hidden musicians. Their feet upon
the green marble of the floor were like little white flowers dancing in
breeze-swept meadows. Here was very intoxication of movement, rhythm
perfect in harmony. As they danced they raised their veils. Peregrine
looked on their faces oval, bright-eyed, scarlet-lipped; small heads set
on slim young throats. The very incarnation of youth and joy was
personified in the dance before him. The fleetness of it, the dainty
fragility, brought with it a sense of evanescence. The thought struck
suddenly cold to his heart.
Thaïs bent from her chair towards him.
“How does it please you?” she asked, her breath soft upon his cheek, her
voice like the tone of a muffled silver bell.
“Madam, it pleases me exceeding well,” said Peregrine. Meeting her eyes
he smiled.
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CHAPTER XIV
THE QUEST
FOR the space of twelve months Peregrine abode at the Castle Syrtes.
During the first six the life within it pleased him exceeding well.
There was no lack of hospitality; his presence was very assuredly
desired. On all sides he found himself a favourite, from the least of
the guests to the divine Thaïs herself. This was enough to please a man
who had found himself hitherto, save for a few weeks of delusion, of
very small importance.
He became Head of the Council of Arts as they termed it, wherein his
opinion was most widely deferred to. The Cult of the Jester was on all
tongues. What precisely this Cult was I know not, save that it had for
its motto _Dum vivimus, vivamus_; and that said it is perchance
unnecessary to seek further light on the matter. I know they talked very
blandly of Sorrow as the highest exponent of Art, whereas no one of them
had ever glimpsed even the fringe of her garment, though Peregrine
assuredly believed he had. Joy, they contended, followed close in her
path. They spoke intimately of both. But it is very certain that none
who have not met Sorrow face to face can hope to meet Joy. Of them all
Peregrine was the only one whom we may believe laughed now and again at
himself. A very small grace truly, but we may trust a saving one.
Public-domain text, read in full here on John Shaqi.
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