After supper there were prayers in the Common Room; then all the boys
except the Sixth Formers went to the Study building to sit for an hour
under the eyes of a master, to read or write letters. On subsequent
evenings they would have to employ this period in studying, but as yet
no lessons had been assigned; the classroom work had not begun. The
Sixth Form were exempt from the necessity of attending Study, and had
the privilege of preparing their lessons in their own rooms. Irving
found, on going up to his dormitory, that the boys were visiting one
another, helping one another unpack, darting up and down the corridor
and carrying on loud conversations. He decided, as there were no lessons
for them to prepare, not to interfere; their sociability seemed harmless
enough.
So, leaving the door of his room open that he might hear and suppress
any incipient disorder, he began a letter to Lawrence. He thought at
first that he would confide to his brother the little troubles which
were annoying him. But when he set about it, they seemed really too
petty to transcribe; surely he was man enough to bear such worries
without appealing to a younger brother for advice.
There was a loud burst of laughter from a room in which several boys had
gathered. It was followed by the remark in Westby’s pleasant,
persuasive voice,—
“Look out, fellows, or we’ll have Kiddy Upton down on us.”
“Kiddy Upton!” another voice exclaimed in delight, and there was more
laughter.
Kiddy Upton! So that was to be his name. Of course boys gave nicknames
to their teachers,—Irving remembered some appellations that had
prevailed even at college. But none of them seemed so slighting or so
jeering as this of Kiddy; and Irving flushed as he had done when he had
been taken for a “new kid.” But now his sensitiveness was even more
hurt; it wounded him that Westby, that pleasant, humorous person, should
have been the one to apply the epithet.
Westby began singing “The Wearing of the Green,” to an accompaniment on
a banjo. Presently four or five voices, with extravagant brogues, were
uplifted in the chorus:—
“’Tis the most disthressful counthry
That ever there was seen;
For they’re hanging men and women too
For wearin’ of the green.”
There was much applause; boys from other rooms went hurrying down the
corridor. The banjo-player struck up “The Road to Mandalay;” again
Irving recognized Westby’s voice.
Irving decided that he must not be thin-skinned; it was his part to step
up, be genial, make himself known to all these boys who were to be under
his care, and show them that he wished to be friendly. He did not wait
to debate with himself the wisdom of this resolve or to consider how he
should proceed; he acted on the impulse. He walked down the corridor to
the third room on the left—the door of Westby’s room, from which the
sounds of joviality proceeded. He knocked; some one called “Come in;”
and Irving opened the door.
Public-domain text, read in full here on John Shaqi.
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