The Jew, The Gypsy and El IslamBurton, Richard Francis, Sir
Islamic
The Jew, The Gypsy and El Islam
Burton, Richard Francis, Sir
Islam; Jews; Romanies
Those familiar with the annals of old families in England are aware
of the extent to which they have been mixed with Jewish blood, even
from the days when religious prejudice is mistakenly represented to
have been most malign. Indeed, of late centuries our nation has never
prided itself, like the Portuguese and the Iberians generally, in
preserving its blood “pure and free from taint of Jew and Infidel.”
The cross perpetually reappears in outward form as well as in mental
quality. Here and there an old country house produces a scion which
to all appearance is more Jewish than the Jews themselves. A peculiar
characteristic of the blood is an extreme fondness for show, for
colour, for splendour and magnificence in general. The rich Jew must
display his wealth; like the Parsee, he makes and spends whilst
his rivals the Greek and the Armenian make and hoard. In certain
continental cities where he now reigns supreme he renders society
impossible to the Christian. The Messrs. G. Muir Mackenzie and O. P.
Irby--_The Turks, the Greeks, and the Slavons_ (London: Bell & Daldy,
1867)--will show how at Salonika[14] the French Consul Marquis de
---- could not join in any of the festivities. The dinner-table was
not respected unless it glistened with gold and silver plate borrowed
and lent for the occasion. His wife could not appear without a new
dress on every occasion, and therefore she stayed at home. A toilette
from Paris twice a week not only ministers to the womanly enjoyment
of the wearer, and to the sensuous pleasures of the beholders, but
also shows that the house is wealthy and that the firm has spare money
to throw away. It is, in fact, an advertisement of the most refined
description. Ladies meeting in parties of three and four over what our
grandmothers called “a dish of tea” must appear _décolletées_ and in
diamonds. The _rivière_ must disfigure the beautiful neck and bosom of
the bride. At the theatre those boxes are most valued where the light
falls strongest upon the precious stones, and where costly textures and
valuable laces stand out to the greatest advantage. And behind this
splendour of show lies cunning of a high order. The grand liveries are
used once a week upon Madame’s “day”; at other times the lackeys are
_en déshabille_. The costly carriage horses work till noon in carts and
drays transporting the _irritamenta malorum_ which support the equipage
of the afternoon. And so in everything. The Hebrew race is so marked in
its characteristics that it has ever been the theme of over-praise or
of undue blame, like those individuals concerning whom society cannot
be neutral; and of late years the transitions of public opinion which
usually moves slowly have been comically abrupt.
Public-domain text, read in full here on John Shaqi.
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