The Jew, The Gypsy and El IslamBurton, Richard Francis, Sir
Islamic
The Jew, The Gypsy and El Islam
Burton, Richard Francis, Sir
Islam; Jews; Romanies
The young man was not frozen to death. He made an immense
fortune at the top of Mont Blanc by selling ‘Excelsior’ penny ices.”
The secret of this “getting on” is known to every expert. The Jewish
boy begins from his earliest days with changing a few sovereigns,
and he pursues the path of lucre till the tomb opens to receive him.
He is utterly single-minded in this point; he has but one idea, and
therefore he must succeed. Who does not remember the retort of the
Jewish capitalist to the Christian statesman who, impertinently enough,
advised him to teach his children something beyond mere trade? “My
first wish,” answered the Hebrew, “is to see my boys become good men of
business; beyond that--nothing!”
The average Englishman cannot help observing with Cobbett, and
despite Lord Macaulay, that the callings which the lower orders of
Jews especially prefer are those held mean or dishonourable by other
men, such as demoralizing usury, receiving stolen goods, buying up
old clothes, keeping gambling-houses and betting-cribs, dealing in a
literature calculated to pervert the mind of youth; combining, as a
person--afterwards sent to Newgate--lately did, the trade of a cosmetic
artist with the calling of a procuress, and supplying the agapemonæ
of the world,[16] while occasionally producing a sharp jockey or a
hard-hitting prize-fighter. He is not ignorant of their prodigious
trickery, of their immense and abnormal powers of lying--the “trifle
tongue,” as they picturesquely call it--and their subtle art of winning
their object by roundabout ways. He cannot mistake their physical
cowardice, but he remembers that the Jewish officers, once so numerous
in the French army, were as brave as their Christian brethren; and
again he recognizes the fact that lying and cowardice long continue to
be the effects of oppression. He smiles at their intense love of public
amusements, and their excessive fondness for display, evinced by tawdry
finery and mosaic gold.
Public-domain text, read in full here on John Shaqi.
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